Blog — Page 12 of 283

Alkaline Trio are back on the road supporting their new album, Blood, Hair, and Eyeballs, and they've brought along pop-punk act Worriers and hardcore quintet, Drug Church. The tour is starting things out in So-Cal and had the opportunity to catch the show in San Diego!

Worriers walked out and blasted into "Big Feelings" from their third LP, You or Someone You Know. With the release of their newest album late last year, most of the set was occupied with tracks from Trust Your Gut, including "Hold My Breath," "I'm Not Mad," "Backyard Garden," their latest single "Top 5" and the title track. They still threw in a smattering of old songs including "They/Them/Theirs" from Imaginary Life and "Future Me" from Survival Pop. The combination of punchy chords, catchy hooks, and Lauren's unique vocal timbre resulted in a warm and inviting energy to the room that kept the audience entertained.

Next up were Drug Church. I'd been familiar with the name for years, but have never actually listened to one of their albums. Up until recently, admittedly, they've been a band I got confused with Gouge Away and Culture Abuse. Don't ask me why. This was my first real exposure to them and I was blown away. Despite being the support act, for a very different type of band, frontman Patrick Kindlon still managed to connect with the crowd. He danced across the stage, declared the barrier as being "imaginary" and invited fans to make their way to the stage. If the bouncers thought they were going to have an easy night, they were sorely mistaken as a steady stream of crowd surfers started to make their way to the band.

Next up were punk vets, Alkaline Trio. They opened the set with their new album opener "Hot For Preacher" before jumping back to their breakout single, "We've Had Enough." The energy from Drug Church carried over as a slew of people began crowd surfing. Newcomer on the tour is drummer, Atom Willard, who's filling in after long-time drummer, Derek Grant decided to step away from the band. While the overall feel of some songs was different, Atom did well to fill Grant's shoes.

Alkaline Trio decided to shake up the setlists this go around, abandoning some setlist staples for years like "Private Eye," "Cringe," and "This Could Be Love." They rotated in some songs that haven't been played in years like "Dine Dine My Darling," "Burned is the House," and "Fuck You, Aurora." The setlist change could be felt throughout the room, for better or for worse. On the one hand, it gave long-time fans a chance to experience some songs they may not have had a chance to see in the past, but on the other hand, the crowd wasn't singing as much during some of the deeper cuts. The band continued to try out new tracks like "Break," "Versions of You" and "Bad Time" while working in classics such as "Mr. Chainsaw," "Goodbye Forever" and "All On Black."

They closed out the set with "Teenage Heart." When they came back for their encore, they went into "Time to Waste" and long-time fan favorite and closer, "Radio." The loud chorus of fans during the song's "I've got a big fat fucking bone to pick with you my darling" sing-along was something that you could sense the crowd had been anticipating all night. If they had to trade out any staples, it's fortunate that "Radio" didn't make the cutting room floor.

Although there were some early tour hiccups, or as Skiba described it, "dusting off the cobwebs," they still sounded great! They're finding their chemistry with Atom Willard and giving the fans something different this tour. The entire line-up is varied and something special, and it's not a tour to miss. Catch it when it comes through your city. 

Dinosaur Jr
Enmore Theatre
Sydney, Australia
21 February 2024

Dinosaur Jr brought their electrifying presence to Sydney's Enmore Theatre, delivering a performance that left enthusiasts of all ages buzzing with excitement. The atmosphere crackled with anticipation as the band graced the stage for a series of unforgettable shows, centred around the beloved album 'Where You Been's 30th anniversary.

Lead vocalist J Mascis ignited the evening with his characteristic grin, setting the stage for a night brimming with raw energy and unbridled passion for their music. The band swiftly found their groove, eliciting cheers and laughter from the gathered audience.

As they plunged into crowd favourites like 'Start Choppin' and 'Hide', it became apparent that this was more than just a concert—it was a jubilant celebration of Dinosaur Jr's musical legacy and the lasting impact of their artistry. The crowd was fully engrossed, with distractions from phones or idle chatter kept to a minimum, allowing everyone to become fully immersed in the sonic experience.

Lou Barlow's nostalgic reflections on the venue's history added an extra layer of sentimentality to the evening, serving as a poignant reminder of the band's transformative journey over the years. From their humble beginnings to their current status as revered icons, Dinosaur Jr's evolution was laid bare for all to witness, underscored by their effortless performance.

As the evening unfolded, Dinosaur Jr continued to enrapture the audience with their timeless hits and infectious energy. Tracks like 'Feel The Pain' and 'Forget The Swan' had the audience singing along with gusto, reaffirming the enduring appeal of the band's music.

Following a riveting encore featuring 'Freak Scene' and a heartfelt rendition of The Cure's 'Just Like Heaven', it was abundantly clear that Dinosaur Jr had delivered a performance for the ages. The band's ability to transcend generations and genres was on full display, leaving attendants of the sold out show feeling both exhilarated and nostalgic.

Tool have just rounded out their US tour. The band has been on the road since mid-January (October if you count their first North American leg last year) and finally made their way to California. I was fortunate enough to catch them in Ontario at the Toyota Arena.

Opening for the tour has been the Doom-Metal band, Elder. The four-tet did well to warm up the crowd with just 3 songs that spanned a 30-minute set. Tool took to the stage at 8:30 and walked out to the sound of "Third Eye" before opening with the title track from their latest album, Fear Inoculum. Behind them, a large LED screen projected a round table of imagery that had you feeling like you were traveling through quasars in space to the depths of hell.

The light show and video projections became more elaborate as the show progressed and they continued to play through notable tracks like "Jambi" from 2006's 10,000 Days and the second single from their latest album, "Pneuma." Lasers streamed across the arena, the lighting rig above the stage dropped to form new light displays, and a septagram that hung above the band rotated and swiveled with its own set of lights.

Early on in the show, Maynard James Keenan made note of how the show almost didn't happen due to him having been sick, but his voice never faltered and he delivered a strong vocal performance despite being ill. When the time came for them to play their classic, "Schism," they accompanied the track with a projection of the song's haunting music video.

Following the performance was a brief intermission that allowed fans time to go to the bathroom, get drinks, or go on their phone (since the show had a strict no-phone policy that could result in removal from the show if caught taking photos or video). When the intermission came to a close and the lights blacked out, a spotlight hit Danny Carey standing next to a gong and wearing a leotard that displayed human muscle and flesh similar to the cover of Lateralus. He performed a solo on the gong before jumping onto his kit to give an awe-inspiring performance of "Chocolate Chip Drip." The projection now showed a first-person view of Danny playing the drums while adding a bit of psychedelia. Confetti fell during an intimate performance of "Culling Voices" and before announcing their last song of the night, "Stinkfist," Maynard permitted fans to pull out their phones to take pictures if they wanted but to ensure that they kept their lights off. If they couldn't figure out how to turn off their lights, then to "ask a 9-year-old next to you."

I've never seen Tool before now, but they set a bar for an engrossing artful performance that left me very impressed and eager for more. The visuals were bizarre and beautiful and something I compared to watching the movie, The Cell with Jennifer Lopez. The work and art that went into the entire show made for a memorable show. Tool will be heading to Europe in late Spring, and I encourage you not to miss the show.

Thursday are in the middle of doing a 21st anniversary tour for their critically acclaimed record, War All the Time. They've brought along Emo/Post-Hardcore legends, Rival Schools, and Keith Buckley's new Metalcore project, Many Eyes. I was fortunate enough to catch the show when it hit Santa Ana.

Many Eyes have been releasing new singles steadily since their debut in Fall of last year. With this being their first tour and only a handful of songs available, it was impressive to see how many people turned out for their opening set. Buckley and Every Time I Die fans, as well as newcomers, made sure to have their voices heard during the songs they already knew, like "Revelation." While during songs that haven't officially been released, some notable track names being "Speechless" and "Amateurs," you could still find fans in the crowd singing what they knew -- likely picking up what they've heard from live videos earlier in the tour. Altogether they had 9 ferocious tracks that fans can look forward to on their upcoming album.

Next up were Rival Schools. The band recently came out of hibernation to celebrate their debut record, United by Fate. Thursday's own Steve Pedulla is working double duty this tour filling in for Ian Love during Rival Schools' set. Most of the band's set consisted of United By Fate tracks while sprinkling in a few from their sophomore album, Pedals like "A Parts For B Actors" and closing with "Wring it Out." They sound better than ever and who knows how long this reunion will last. If you missed out on their reunion shows last year, don't miss your chance again.

Thursday took to the stage and kicked off "For the Workforce, Drowning." The crowd erupted! I haven't seen an audience like this for Thursday in a few years. The last time they came through, Rickly was also dealing with a broken foot, which hampered the performance a bit. The crowd was also noticeably younger. So much so that even Rickly took a moment to acknowledge how the audience has been younger this tour and told a story of how a young fan misunderstood "War All the Time" and asked why they were pro-war, to which he corrected and reassured it was the opposite. On top of playing through the 2003 record, the band capped it off with fan-favorite "Jet Black New Year." Thursday finished off the night with "Cross Out The Eyes," deep cut, "Beyond the Visible Spectrum" from Common Existence, and of course no Thursday show is complete without "Understanding in a Car Crash." While this tour isn't the first time the band has played through War All the Time. it certainly feels more monumental than any of the other times over the years. If they're rolling through your town, don't miss this tour.

Obituary 
Manning Bar
Sydney, Australia
13 January 2024

In a sonic onslaught reminiscent of their triumphant 2020 reign, Florida's Death Metal maestros, Obituary, set the Manning Bar stage ablaze in Sydney, evoking memories of when they steamrolled stages to celebrate the timeless "Cause of Death" album. Their recent performance was nothing short of a flawless and pulverizing showcase that left the crowd in awe.

Fashionably late to the stage, Obituary surpassed even their previous incarnations in infernal intensity, delivering a musical maelstrom that reverberated through the venue. The visual spectacle matched the auditory onslaught, with impeccable lighting and other elements transforming the Manning Bar into a realm of awe-inspiring ambiance from the first note to the final crescendo. The compact scale of the venue only magnified the mind-blowing quality of the performance, underscoring the band's unwavering commitment to providing an electrifying experience for their dedicated fanbase.

While banter from frontman John Tardy and the band was limited, the scarcity of verbal exchanges was compensated by the group's unwavering focus on delivering a music-driven spectacle that left no room for disappointment. Obituary's performance transcended mere entertainment; it was an immersive journey into the heart of Death Metal.

The post-reunion material from their latest offering, "Dying of Everything," elicited the same fervor from the crowd as their early career classics, dispelling any misconceptions about the band being a mere nostalgia act. The technical prowess displayed throughout the night, coupled with an infectious enthusiasm, reinforced Obituary's status as living legends within the Death Metal scene.

In a career spanning decades, Obituary has not reinvented the wheel, but rather showcased an ability to effortlessly hold their own alongside bands half their age. The crowd responded with unabashed enthusiasm, embracing every grimy hit with moshing, cheering, and pit-surfing, affirming Obituary's longevity and profound influence on the genre.

Summa summarum, Obituary's performance in Sydney was a testament to their enduring legacy and a resounding declaration that the flames of Death Metal burn as brightly as ever. The Manning Bar bore witness to more than a concert; it was an immersive journey into the relentless heart of Obituary's sonic legacy, leaving no doubt that this old dog still has plenty of life left in its ferocious bark.