Mesdames et messieurs – welcome to the second installment of our feature on Germany’s Gestalten Verlag:
Let’s ease in with a beauty:
Best of German Interior Design
Eds. Christian Boros, Florian Langenscheidt, Olaf Salié, Axel Schramm
German / English
464 pages, 652 color and b/w images
Best of German Interior Design serves as an overview about fifty of the most creative designers based in German and creators of products to lift your interior design game at home – designers that often go unnoticed by the mainstream as well as its own industry despite Germany not exactly being unknown for quality products, superb craftmanship that not only functions but also pleases the eye and have set a high standard in terms of aestheticism when it comes to domestic bliss.
The hefty book comes with a plethora of detailed illustrations, sheds light on the creative process and inspirations of interior designers as well as written elaborations by prominent writers that give background information on products that enjoy borderline iconic status, opinions and well researched themes in the world of contemporary design and both contexts – in terms of history and culture.
Contributors include the Creative Director of Studio Lambl/Homburger, Dr. Görgen (Federal Foreign Office, Head of the Department of Culture and Communications), Birgitta Homburger, the President of Christie’s Europe & UK, Middle East, Russia & India Prof. Dr. Boll, et al.
This lavish tome is a heavyweight in every sense and more than a merely classy coffee table ornament: It comprises the essence of German design expertise in 2017 across a myriad of disciplines, enabling readers to decide for themselves which of these examples reveal the typical characteristics of German design.
Let’s shift the geographic focus a bit:
Form. Function. Experience.
Istanbul is home to Autoban, a design studio that is held in high esteem not just by industry experts.
With their work founders Seyhan Özdemir and Sefer Ça?lar manage to bridge the divide between occident and orient, old and new, traditional and modernist approaches. They have had a hand in creating their environement and their environment having an impact on their work
The book is based on a presentation of the projects that carved out Autoban’s signature style and concepts for a myriad of architectural undertakings that somehow incorporate both ends of the spectrum – urbanism and cosmopolitanism as well as an appreciation of cultural heritage.
a rich selection of Autoban’s breathtaking projects that are documented in striking photographs and plans.
Seyhan Özdemir and Sefer Caglar founded Autoban in 2003. Visiting Istanbul without encountering one of their creations, influenced by the Bauhaus school and refined to their very own style, is nigh an impossible feat.
Autoban has not only left a significant dent, but changed Istanbul social life’s DNA with their projects and are now establishing an international reputation. They have just finished the cavernous interior of Baku airport in Azerbaijan, which resembles a boutique hotel crossed with a transit hub, and the design of two new restaurants in central London for Wagamama founder Alan Yau.
The book on Autoban is an opulent account of their work, which is not merely art pour l’art, but shows work that is neither elitist nor prescriptive in nature, but story-driven, considered, premium, witty, idiosyncratic, timeless ... modern Istanbul.
You cannot escape advertising these days, which is not exactly overflowing with fresh and novel concepts…an area, which is covered by Gestalten’s:
Graphic Design & Art
How Advertising Recycles Ideas
This book is the diametric opposite to serving as a source of inspiration – au contraire, it’s more about being a “how to not…” kind of cautionary tale.
Not that the works depicted herein are of bad quality – most of them have been awarded prices and have been praised by their peers - the point that is made is that they are plagiarized.
What is refreshing is that the book is not being judgmental but focused on facts and empowering the reader to make the call.
Copy Paste was compiled by Joe la Pompe and is essentially a plea and advocacy for originality.
The author Joe la Pompe has dedicated the last two decades of his life to the pursuit of illuminating concepts and ideas that have been rehashed over and over again to be spoonfed to a consumerist society and has consequently become known as a “copycat hunter”, heralded by industry and he catches them in flagranti.
The aim of Pompe’s approach is the precise documentation of plagiarism in the world of advertising, 618 of them.
A couple of visual lessons in originality: Campaigns are allocated hashtags that allow readers to interact with Joe la Pompe’s extensive research, cast their opinion online, and make their own judgments.
An essential compass for anyone remotely involved in advertising – one that clearly shows which rabbit hole you would not necessarily want to tumble down.
Gestalten Verlag recently released its Spring 2018 catalogue with upcoming titles:
I personally look forward to
Thus Let Us Drink Mead - Stone Dog Meadery Mead has quite an interesting history, harking back much further than what has manifested in Norse mythology to many thousand years ... read more
Pieter Bruegel: Drawing the World Heralded as the Netherland’s draughtsman of the early seventeenth century, Pieter Bruegel’s flag is firmly planted in the pantheon of greats alongside Hieronymus Bosch and ... read more
Water of Life – Bruichladdich Port Charlotte 10-year-old Bruichladdich at large and specifically its Octomore emissions enjoy a near cult-like following, which I do not find further wondrous. I have ... read more
Why Would One Want To Wear a Hat? As Philip Treacy put it, how a hat makes you feel is what a hat is all about. Now, I am sure ... read more
Yungblud Factory Theatre Sydney, Australia February 14, 2019 Prior to tonight’s performance I had not been familiar with Yungblud and his oeuvre. Anticipating an “urbanite” artist from the name alone, ... read more
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