The Formative Years – Hüsker Dü
Formed at the rear end of the 1970s in Saint Paul, Minnesota, Hüsker Dü remains one of the most influential bands in my musical pantheon when it comes to crossing over from straight out hardcore punk into shaping alternative rock without ever having run danger of sacrificing an iota of significance and relevance.
If you dig underground music, you would find yourself hard-pressed to find a flaw with Hüsker Dü’s ferocious, primal sounding Land Speed Record, Everything Falls Apart and the seminal concept album that is Zen Arcade, which gradually saw them experiment with incorporating slower and melodical ingredients into their aggressive songs to forge their characteristically intense trademark sound, which was comprised of stuttering, hiccup drumming, heavily distorted guitars and hoarse twin vocal arrangements and resulted in an idiosyncratic melange that simmered down an eclectic range of genres to fit in a single tune.
In layman’s terms, Hüsker Dü was a band that had an aversion to being pigeon holed, so they created their own land, which was pivotal to creating the sound that convinced hardcore punk purists that there is more to the genre than the worn out, tried and tested loud, fast and heavy-formula.
I have yet to come across anything that evolved out of the ashes of Hüsker Dü – be it Hart & Mould’s solo albums or the bands they went on to form, e.g. Nova Mob and Sugar.
Via his most recent album, Blue Heats, I recently revisited Bob Mould’s solo output and it lead me down a wonderful rabbit hole of beautifully bulldozing songs, the onslaught of which make it hard for me to decide what sounds more convicted and angrier – his guitar or his intensively angsty vocal delivery.
One of a kind.
Enjoy:
