Feature / Interviews
Jack's Mannequin

Words: Graham Isador • Posted pre-2010

Scene Point Blank: Though it's obvious that you're writing music for your self, as your fan base increases and people become more and more fanatic, do you ever take into account that you're songs are going to be judged by other people?

Andrew McMahon: Um, no. It's a factor, but I think I can say I write for me first because I want to present something that I connect to, but on a universal level something others will connect to as well. I know that sounds a little backwards, because I say I'm doing it for myself, but that's how I like to write. The music I grew up listening to was largely pop and radio music. Not what I would consider pop in the sense that it lacks credibility but just music that was so well written that from one sense you could get that they were saying something that meant something to them, but also something that really did connect at a larger level.

I don't really feel a large sense to go beyond that and maybe find producers that are the " now/it" producers or try to really shoehorn myself into what's going on at the time. I think that's where I differ from some of my contemporary's who are going out of their way to fit the scene, or mold that's going on. Good song writing is good song writing and those songs will stand the test of time. I don't want to create music that intentionally sounds like something popular now, because my hope is that I can make songs that will be good enough to be successful on their ownâ?¦or at least successful enough that I can keep doing my job.

Scene Point Blank: You've spent the better part of your adult life playing music, and being more or less in the public eye. As all of this is so well documented, do you ever look back at what you've done, or something you put out a couple years ago, and cringe?

Andrew McMahon: I think that it happens, but it happens to every artist. When I do cringe, it's not with a lack of respect for what I've created in the past. I'm sitting there thinking, "I'm so young, I can't believe my voice sounded like that" or " Why did I think it was okay to say that?" You do it, and then you back off, and realize well that's where I was so of course I was going to say that. You grow, and you evolve, just like anybody does in his or her own life. Somebody who is a writer, a singer, or a painter, or anyone who does what they do on an artistic level leaves a trail of who they used to be.

You look back on it as the same way someone might look back on their teenage years and think "Can you believe the stupid shit we were doing?' Even my buddies and I look back on the stuff we did on the weekends in high school and just wonder how we ever thought that was cool. In that same way, sometimes you look back at what you did when you were seventeen or eighteen years old and it's incredibly profound and really say something about where you were at the time. You take that away and know that this song is a piece of me, it will always be a piece of me and I'm glad I said it.

Scene Point Blank: I remember some weekends friends and I spent throwing donuts at pedestriansâ?¦

Andrew McMahon: That used to be a huge part of our weekend, not the donut thing, but water-ballooning pedestrians. It was horrible. We'd run out of water balloons and just throw whatever takeout we had in the car. I remember this one time throwing a cup of guacamole at somebodyâ?¦

Scene Point Blank: Ketchup was always a favorite of mine.

Andrew McMahon: We had our asses handed to us one time by this high school football team. We were like fifteen at the time and could just drive and I made a mustard packet into this guy's window. He chased us down and stole our money and stuff. We stopped doing that after awhile.

Scene Point Blank: Me too. One thing I've been trying to do is get all the artists I've been talking with lately to pick one of their songs which they feel best defines them, what would be yours?

Andrew McMahon: I'd say "Made for Each Other."

Scene Point Blank: Parts one and two?

Andrew McMahon: Yeah. For me that track as a whole is really repetitive. And the reason I made it last on the record is because it spells out an over all philosophy. It definitely is in line with who I am, and what I believe.

Scene Point Blank: I haven't got much elseâ?¦um, if the moon were made out of barbeque spare ribs would you eat it?

Andrew McMahon: Would you eat it? Would you eat it?

Scene Point Blank: I know I would. In fact I've had seconds. Your thoughts?

Andrew McMahon: Cubs win! Cubs win! You've got your ear to the ground, Graham.

Scene Point Blank: Thanks a lot for everything, Andrew.


Words: Graham

Graphics: Matt

Related features

Jenn L. Beckwith

One Question Interviews • July 29, 2026

Jenn L. Beckwith (All Good Cretins Go To Heaven: The Enduring Spirit of the Ramones – author) SPB: Do you remember the first time you saw the Ramones live (or, alternately if it’s a better story, the first time you heard them)? Beckwith: My collaborator and researcher Gary Lynn Clevenger … Read more

Fail Harmonic Records

One Question Interviews • July 28, 2026

Fail Harmonic Records SPB: What is your turntable set-up? Our office turntable is vanilla. Audio-Technica, maybe? What we’re spinning is what counts: and that’s Savageheads - Service to your Country (Social Napalm Records), an FHR HQ staple. If you wanna pack records at a fast pace, this is the album … Read more

Andresa One Man Band

One Question Interviews • July 27, 2026

Andresa Nugraha (Andresa One Man Band) SPB: What instrument has been the hardest to add into your set? Nugraha: Kazoo. It's funny because it seems like an easy instrument to play, but when you scream through the entire set and lose your voice, you can't play it right. So, I … Read more

Deniz Tek

Interviews • July 25, 2026

There is a specific kind of velocity associated with the name Deniz Tek. To the aviation world, he was a flight surgeon and a pilot in the cockpit of an F-4 Phantom. To the medical world, he was the calm in the center of the ER trauma ward. But to … Read more

Alexandros Anesiadis

One Question Interviews • July 15, 2026

Alexandros Anesiadis (Tear It Down, Crossover, New Wind – author) Was there a particular record or moment that inspired the genesis of Tear It Down, about crossover? It wasn't the day I first heard the opening track on side two of the Cro-Mags' The Age of Quarrel. It wasn't when … Read more

Related news

Eagles Of Death Metal Video

Posted in Bands on June 23, 2004

Related reviews

Jack's Mannequin

The Glass Passenger
Sire (2008)

A lot of artists resist fame. I've done interviews with bands for nearly five years now and have heard countless times from both nameless and recognizable acts that there were never any aspirations for a hit radio single or a gold album. For these people it seemed when something reached a point of popularity it lost authenticity. By acknowledging the … Read more

More from this section

Deniz Tek

Interviews • July 25, 2026

There is a specific kind of velocity associated with the name Deniz Tek. To the aviation world, he was a flight surgeon and a pilot in the cockpit of an F-4 Phantom. To the medical world, he was the calm in the center of the ER trauma ward. But to … Read more

The Bellrays

Interviews • July 6, 2026

A Conversation with Lisa Kekaula (Vocals) and Bob Vennum (Guitar) of The Bellrays For over three decades, The Bellrays -- Riverside, California’s powerhouse duo of Lisa Kekaula and Bob Vennum -- have blurred the lines between punk, soul, garage rock, and rock ’n’ roll fury. Their music has always been … Read more

Golden Shitters

Music Education

Interviews / Don't Quit Your Day Job • June 23, 2026

There are a lot of misconceptions about the life of a musician. Most musicians have day jobs – and not just to pay the bills. Jobs provide new challenges, personal fulfillment and, yes, some rent or gas money. How an artist spends their time by day will influence the creative … Read more