Feature / Interviews
Jack's Mannequin

Words: Graham Isador • Posted pre-2010

Scene Point Blank: Though it's obvious that you're writing music for your self, as your fan base increases and people become more and more fanatic, do you ever take into account that you're songs are going to be judged by other people?

Andrew McMahon: Um, no. It's a factor, but I think I can say I write for me first because I want to present something that I connect to, but on a universal level something others will connect to as well. I know that sounds a little backwards, because I say I'm doing it for myself, but that's how I like to write. The music I grew up listening to was largely pop and radio music. Not what I would consider pop in the sense that it lacks credibility but just music that was so well written that from one sense you could get that they were saying something that meant something to them, but also something that really did connect at a larger level.

I don't really feel a large sense to go beyond that and maybe find producers that are the " now/it" producers or try to really shoehorn myself into what's going on at the time. I think that's where I differ from some of my contemporary's who are going out of their way to fit the scene, or mold that's going on. Good song writing is good song writing and those songs will stand the test of time. I don't want to create music that intentionally sounds like something popular now, because my hope is that I can make songs that will be good enough to be successful on their ownâ?¦or at least successful enough that I can keep doing my job.

Scene Point Blank: You've spent the better part of your adult life playing music, and being more or less in the public eye. As all of this is so well documented, do you ever look back at what you've done, or something you put out a couple years ago, and cringe?

Andrew McMahon: I think that it happens, but it happens to every artist. When I do cringe, it's not with a lack of respect for what I've created in the past. I'm sitting there thinking, "I'm so young, I can't believe my voice sounded like that" or " Why did I think it was okay to say that?" You do it, and then you back off, and realize well that's where I was so of course I was going to say that. You grow, and you evolve, just like anybody does in his or her own life. Somebody who is a writer, a singer, or a painter, or anyone who does what they do on an artistic level leaves a trail of who they used to be.

You look back on it as the same way someone might look back on their teenage years and think "Can you believe the stupid shit we were doing?' Even my buddies and I look back on the stuff we did on the weekends in high school and just wonder how we ever thought that was cool. In that same way, sometimes you look back at what you did when you were seventeen or eighteen years old and it's incredibly profound and really say something about where you were at the time. You take that away and know that this song is a piece of me, it will always be a piece of me and I'm glad I said it.

Scene Point Blank: I remember some weekends friends and I spent throwing donuts at pedestriansâ?¦

Andrew McMahon: That used to be a huge part of our weekend, not the donut thing, but water-ballooning pedestrians. It was horrible. We'd run out of water balloons and just throw whatever takeout we had in the car. I remember this one time throwing a cup of guacamole at somebodyâ?¦

Scene Point Blank: Ketchup was always a favorite of mine.

Andrew McMahon: We had our asses handed to us one time by this high school football team. We were like fifteen at the time and could just drive and I made a mustard packet into this guy's window. He chased us down and stole our money and stuff. We stopped doing that after awhile.

Scene Point Blank: Me too. One thing I've been trying to do is get all the artists I've been talking with lately to pick one of their songs which they feel best defines them, what would be yours?

Andrew McMahon: I'd say "Made for Each Other."

Scene Point Blank: Parts one and two?

Andrew McMahon: Yeah. For me that track as a whole is really repetitive. And the reason I made it last on the record is because it spells out an over all philosophy. It definitely is in line with who I am, and what I believe.

Scene Point Blank: I haven't got much elseâ?¦um, if the moon were made out of barbeque spare ribs would you eat it?

Andrew McMahon: Would you eat it? Would you eat it?

Scene Point Blank: I know I would. In fact I've had seconds. Your thoughts?

Andrew McMahon: Cubs win! Cubs win! You've got your ear to the ground, Graham.

Scene Point Blank: Thanks a lot for everything, Andrew.


Words: Graham

Graphics: Matt

Related features

Coral Springs

One Question Interviews • September 24, 2026

Siebe (Coral Springs) SPB: What is your favorite record store (this can be local or not)? Siebe: I want to preface this by mentioning that I rarely buy records at stores these days. Most of the local stores aren't big on pop-punk/skate punk/emo and it's rare that they carry records … Read more

Eddy Current Suppression Ring

One Question Interviews • September 23, 2026

Mikey (Eddy Current Suppression Ring) SPB: Australians seem to love Canada, when are ECSR coming to play here? Miked: as much as i'd dearly LOVE to go to Canada, it doesn't look super likely on my or the band's immediate radar. we only just played interstate down here for the … Read more

Oskoed Slotters

One Question Interviews • September 22, 2026

Maarten (Oskoed Slotters) SPB: What is your favorite Ramones song? Maarten: My favorite Ramones song is probably “53rd & 3rd.” The debut Ramones album is one of the first punk records I heard. My dad bought a copy when it came out when he was about 16 years-old. When I … Read more

Red Rockers

Interviews • September 20, 2026

By 1981, the Red Rockers were famously branded "The American Clash" by Lester Bangs -- a tag that carried both the weight of massive expectations and the raw power of a band exploding out of the New Orleans humidity. Decades before they became MTV fixtures with the polished pop hooks … Read more

Shrapnel Pop #1

Regular Columns / Shrapnel Pop • September 19, 2026

I was about 4 years old and in preschool. It was a “meet and greet” day and my dad took me. This was exciting, because I adored him and thought he was basically the coolest person on earth. I marched in, dragging him along behind me, and approached my teacher. … Read more

Related news

Eagles Of Death Metal Video

Posted in Bands on June 23, 2004

Related reviews

Jack's Mannequin

The Glass Passenger
Sire (2008)

A lot of artists resist fame. I've done interviews with bands for nearly five years now and have heard countless times from both nameless and recognizable acts that there were never any aspirations for a hit radio single or a gold album. For these people it seemed when something reached a point of popularity it lost authenticity. By acknowledging the … Read more

More from this section

Red Rockers

Interviews • September 20, 2026

By 1981, the Red Rockers were famously branded "The American Clash" by Lester Bangs -- a tag that carried both the weight of massive expectations and the raw power of a band exploding out of the New Orleans humidity. Decades before they became MTV fixtures with the polished pop hooks … Read more

Vivabeat

Interviews • September 6, 2026

LA’s Art-Punk Pioneers Who Bridged Continents and Genres In 1978, Vivabeat emerged from Los Angeles with a sound that defied easy categorization. As I spoke with Marina and Mick years later, it became clear that this was a band always slightly out of step with the local scene -- East … Read more

Lethal Limits

Music Therapy

Interviews / Don't Quit Your Day Job • September 5, 2026

There are a lot of misconceptions about the life of a musician. Most musicians have day jobs – and not just to pay the bills. Jobs provide new challenges, personal fulfillment and, yes, some rent or gas money. How an artist spends their time by day will influence the creative … Read more