Feature / Music
Pass The Mic: Artists and 2007

Words: Michael • Posted pre-2010

Quick Links: Blacklisted, Bridge Nine Records, Bullet Treatment, Ceremony, Coalesce, Coliseum/Black Cross, Converge, Die Young (TX), Forensics, Fucked Up, Jena Berlin, Lemuria, New Idea Society, The Out Circuit, Oxbow, Pulling Teeth, Ready the Jet, Rise and Fall, Rosetta, Set Your Goals, Scouts Honor, Skin Like Iron, This Time Next Year, Tokyo Police Club

Skin Like Iron

Alex Capasso

Scene Point Blank: What are your top five albums that were released in 2007?

Alex Capasso:

  1. Rocky Votolato - The Brag and Cuss
  2. Ramparts - Whiteboys Love the Blues
  3. Never Healed & Violent Minds - Split 7
  4. Pulling Teeth - Martyr Immortal
  5. Pressure - Death's Head

Blaine Patrick:

  1. Dr. Dog - We All Belong
  2. Built To Spill - They Got Away/Rearrange EP
  3. Caribou - Andorra
  4. Jump Off A Building - Bird Watching in New Zealand
  5. Torche - In Return

Paul Ehat:

  1. Dr. Dog - We All Belong
  2. Cloak/Dagger - We Are
  3. Earth - Hibernaculum
  4. Red Dons - Death to Idealism
  5. Tom Waits - Orphans

Scene Point Blank: How will you remember 2007? (In terms of music)

Perhaps it's just an extension of my renewed passion and satisfaction with my own personal creativity, but I feel like music in general has really been reinvigorated over the past year. The last two or three years seemed so boring and stale, but something drew me back in this year and I caught up on a bunch of stuff that I'd missed out on previously. I'm not quite sure how to explain or describe it, but I do know that I've had way more fun attending and playing shows in 2007.

Scene Point Blank: What kind of impact do you think donation-based releases like Radiohead, Saul Williams, etc? will have on the record industry?

Who knows? It seems like a good idea, because there is definitely a market for digitally distributed music. Is it economically viable? Hard to say. Is economic viability even an issue? Unfortunately, I think it is. Music should be free, but in a world where amps, guitars, van rentals and gas aren't free, musicians will have to continue to make money anyway they can purely out of necessity.

Scene Point Blank: 2007 saw the decommissioning of two prominent file-sharing groups - Demonoid and Oink. What kind of impact will the increased crackdown on file-sharing have on the record industry? Did it personally have an effect on you?

In the past the music we were able to discover was limited by our ability to finance trips to the record store and our willingness to attend shows that we wouldn't usually consider going to. Nowadays, through message boards and file sharing, we can now hear about a band online, and quickly download their music. Eliminating the monetary risk formerly associated with taking chances on new records makes it much easier to expand your horizons, which is undoubtedly nice, but not without its downsides.

For many people, this kind of unbridled access to music simply inflates the list of bands they can name drop for cool points, and seems to be sucking a lot of vitality and passion out of music. No one seems to be a diehard fan of anything nowadays! A lot of people seem to simply cycle through the flavors of the week and never really seize on anything.

On the positive side, I can't really knock the proliferation of lesser-known artists and the general availability of obscure or out of print records to almost anyone who wants them. I have no problem with the sharing of out of print or limited records; music can't be restricted to only the people who can score big on eBay.

Scene Point Blank: What can we look forward to from your band in 2008?

A double 7" is in the works. The first 7" will feature six new tracks, and one re-recorded song from the demo. The second 7" will be comprised of two new instrumental compositions. After recording our first three tapes with Andy Kugler, we're going to work with a new engineer, Roger Tschann of Grizzly Studios in Petaluma. It should turn out pretty well since I really like the stuff he's done for Look Back and Laugh, Lifelong Tragedy, Allegiance, Never Healed, S.E.E.D. and even Tiger Army. He's got a good body of work and I look forward to working with him.

Following the release of the double 7" project, we will be heading to the East Coast for a quick, week-long tour. We're constantly writing (29 songs in the 10 months that we've been practicing), so I'd imagine we'll do another tape release before the end of 2008. The tapes would probably feature a couple of covers, and some unreleased songs we've been sitting on. We're also considering making a CD discography available as well. Lots of options on the horizon.

Scene Point Blank: What three records are you looking forward to most in 2008?

Alex C: Rise & Fall LP, Never Healed 7", and Trash Talk's "Plagues"

Blaine: Skin Like Iron - 2x7", Burzum world tour, and Letdown's Sacrifice Me

Paul: Never Healed 7", Young Offenders, and Criminal Damage

Homepage: http://www.blacksummer.com/sli/

Related features

Dead Pioneers

One Question Interviews • April 2, 2026

Abe Brennan (Dead Pioneers) SPB: How many Nazi teeth do you think you could knock out in a single punch? Brennan: Hi, Chuck, nice to hear from you, and thank you for the opportunity to discuss the dislodging of Nazi teeth. I appreciate it. So knocking Nazi -- or any … Read more

Death of Youth

One Question Interviews • March 31, 2026

Rob David (Death Of Youth – vocals) SPB: What is the weirdest description you’ve heard of your music and could you see where the commenter was coming from? David: One outlet once described our single “Fix Your Heart or Die” as “An emotionally charged piece of heavy rock combining 80's … Read more

Shizune

One Question Interviews • March 30, 2026

Filippo (Shizune – bass) SPB: Breviario d'oblio is something of a comeback after 8 years. What triggered this comeback? Filippo: It was not meant as a comeback. We were almost ready to enter the studio in 2020, then Covid happened and we lost our practice room. It was hard to … Read more

The New York Dolls: Reflections and Legacy

Music • March 30, 2026

I first discovered the New York Dolls in the mid-to-late 1980s, just as I was beginning to stretch the boundaries of my musical journey. Up until then, my exposure to music had mostly come through my parents, aunts, and uncles. They planted the initial seeds, and those seeds quickly grew, … Read more

East End Redemption

Interviews • March 24, 2026

Punk’s never been about polish. It’s about passion, sweat, and the grind it takes to keep going when most people quit. East End Redemption carry that spirit like a trophy. Out of the East Coast underground, they’re mixing hard-earned experiences with the urgency of a band that still believes in … Read more

More from this section

The New York Dolls: Reflections and Legacy

Music • March 30, 2026

I first discovered the New York Dolls in the mid-to-late 1980s, just as I was beginning to stretch the boundaries of my musical journey. Up until then, my exposure to music had mostly come through my parents, aunts, and uncles. They planted the initial seeds, and those seeds quickly grew, … Read more

Post Office Experiences

Music • March 10, 2026

In a different world, which we think was shortly before COVID and MAGA and all things bad and in ALL CAPS occurred, Scene Point Blank had the idea to write a comprehensive piece about mailorder experiences from the people who dedicate their free time to sending you records, cds, tapes, … Read more

Demos You Want To Check #2

Music / New Kids On The Block • January 12, 2026

The musical landscape is ever changing. New genres are popping up, new hypes burst out of nowhere and then die out, and new bands present themselves to the world. How on earth are you expected to keep up, right? Well, a little help never hurts! So here we are, your … Read more