Feature / Music
Remembering Elliot Smith

Words: Robby • Posted pre-2010

 

I told my little sister that Tuesday night that Elliot Smith had killed himself. I couldn't say I was surprised when she responded with a "Who's that?" Yet, I had a gleam of hope that in some way, she would understand what had happened, that she would be as shocked as I had when I heard the news. Yet, she answered with "Who's that?"

Well, I can't sit here and write about how much I identified with Elliott Smith's songs or how amazing he was at the live show I never went to, because I know there's plenty of people who have, and could write an excellent memorial.

This is not a memorial.

The only thing I can say about my experience with Elliott Smith's music is thirty or so bus rides in eighth grade with a handful of CDs I did not quite understand, but grew to love on these early-morning treks across the South Bay. One of these CDs was a discovery in the used-bin at the record store, with a name I had become familiar with on the Internet. This CD was Either/Or. I have grown to love listening to "Say Yes", "Alameda" and "Pictures of Me" for more than their lyrics, but rather, for memory of their formative impact on me, musically, creatively and personally.

With his name on a list with Nick Drake and Ian Curtis, Elliott Smith will now change from an underground favorite into a post-mortem celebrity. In this tragic, yet selfish act, more people will have the opportunity of experiencing Smith's music and for that I can't complain.

However, I am also disillusioned with the reactions to his death. There are too many indie rock dilettantes (and even veterans) who feign a mourning of Elliott Smith's death like the loss of a close friend, when while he was alive, his albums gathered dust in the "background music" piles and mp3s of "Miss Misery" were hidden away on hard drives full of rarely-touched songs.

On Tuesday night, I held some kind of twisted hope that my sister might fit into this category, after her dabbling in the now-popular emo/indie explosion. Perhaps even if she just pretended to care, I could feel that someone I knew understood my feelings and loss. But by the next morning, I had changed my mind.

I woke up that morning saddened and angry that the creator of the songs I loved had killed himself, but I realized that I was glad that my sister had answered in the way she had. I'm glad that in her late hearing about Elliott, she may just decide to download an mp3 or stumble upon an album sometime in the future, as I had. I am glad she had not pretended to lament the dramatic suicide of a frequently namedropped indie-rock icon that she may or may not have listened to.

For the next week or so, Elliott Smith's legacy will exist in lyrics copied-and-pasted into AIM profiles and LiveJournal entries, and I cannot say this is the way I want him to be remembered. Elliott Smith existed as an intelligent, intimate and vibrant songwriter, not a figure to bring about Internet histrionics. Advertisements of exaggerated outpouring grief and mournful tears have covered post-Elliott Smith world.

Sadly, there is only a small group of people who really did love Elliott Smith either as an artist or as a person, people who found true meaning in this loss, people who's tears hold sincerity. They deserve to grieve and deserve to write their memorials. For the rest of us, Elliott can only live on over landscapes panning across car windows, against the hushed whispers in coffee shops and resonating along the pasty walls of college dormitories. His music is a secret that has found its way across the lips and into the ears of so many.

I will miss the thoughts of Elliott sitting somewhere leaning over his guitar penning more laconic and gentle songs that I will immediately adore. I will miss knowing that there is a spirit on this world who, with his words and influence meant so much to me and so many others. I will miss seeing smiles appearing on faces when his songs are played in the record store.

I will remember Elliott by taking the albums of his that I have purchased, and purchasing those that I have not, putting on my headphones, closing my eyes and listening intently.

And I will not stand with the others saying, "We will miss you Elliot" as the Sharpie, on the shirt of the girl whom I passed on Thursday morning, spelled out so? incorrectly.

RIP Steven Paul (Elliott) Smith 1969 - 2003

(If you would like to comment on this editorial or Elliott Smith in general, please post in our forum)

Related features

Alexandros Anesiadis

One Question Interviews • July 15, 2026

Alexandros Anesiadis (Tear It Down, Crossover, New Wind – author) Was there a particular record or moment that inspired the genesis of Tear It Down, about crossover? It wasn't the day I first heard the opening track on side two of the Cro-Mags' The Age of Quarrel. It wasn't when … Read more

The Drolls

One Question Interviews • July 14, 2026

Denny Bartlett (The Drolls – guitar/vocals) SPB: You’ve been in multiple bands. What is the origin story of The Drolls? What was your radioactive spider? Barltett: I hadn’t played live in almost 20 years and other people I knew from back in the day were getting back into it and … Read more

Scene Point Blank's Favorites: The Year So Far (July 2026)

Music • July 13, 2026

That's right: we're halfway through 2026 already, although whether that means this year is a glass-half-empty or glass-half-full kind of year... well, the jury's out. But we'll let you know in December. Despite another six months of chaos, war, conflict and uncertainty, one thing in life remains static and reliable: … Read more

The Mistakes

One Question Interviews • July 13, 2026

Shane (The Mistakes) SPB: What is the most tiresome stereotype about punk rock? I think for me the biggest stereotype about punk rock music is that it's simple music for with one core message of Anarchy, but it's so much more. Punk rock is where people can get an education … Read more

Hot Pennies

One Question Interviews • July 10, 2026

Trash (Hot Pennies) SPB: What venue is your favorite to play (and why)? Trash: This is a challenging question. We have a lot of great venues in the Phoenix area. My personal favorite has gotta be Chopper John's for its wily crowd and good times. There's always a great mix … Read more

More from this section

Scene Point Blank's Favorites: The Year So Far (July 2026)

Music • July 13, 2026

That's right: we're halfway through 2026 already, although whether that means this year is a glass-half-empty or glass-half-full kind of year... well, the jury's out. But we'll let you know in December. Despite another six months of chaos, war, conflict and uncertainty, one thing in life remains static and reliable: … Read more

Demos You Want To Check #4

Music / New Kids On The Block • July 7, 2026

The musical landscape is ever changing. New genres are popping up, new hypes burst out of nowhere and die out and new bands present themselves to the world. How on earth are you expected to keep up, right? Well, it never hurts to help! So here we are, your humble … Read more

Demos You Want To Check #3

Music / New Kids On The Block • May 8, 2026

The musical landscape is ever changing. New genres are popping up, new hypes burst out of nowhere and die out and new bands present themselves to the world. How on earth are you expected to keep up, right? Well, it never hurts to help! So here we are, your humble … Read more