Review
Versoma
Life During Wartime

Robotic Empire (2006) Bob

Versoma – Life During Wartime cover artwork
Versoma – Life During Wartime — Robotic Empire, 2006

With Versoma's debut offering, Life During Wartime, it would be extremely easy to make assumptions about the sound based off the previous bands of its members (having done time in Anodyne and Lickgoldensky, amongst others). But that would be a huge disservice to this short and sweet EP. This record is chock full of noise laden guitars that establish an interesting backdrop for the more melodic guitar parts. The vocals are peculiarly absorbing and give another layer to the band's overall sound.

"Gods and Queens" is a good song. The music is thick sounding but very noisy sounding at the same time. The bridge has a really good groove and changes the feel of the track real well. The vocals fit nicely with what the music is doing, giving the track an urgent feel. "Symbols and Abbreviations" features the deeper vocals of the other vocalist. The music has a more relaxed mood than the first song. There are some interesting melodic guitar passages that Versoma produces that provide some ear catching sounds while at the same time maintaining that noisy edge that is evident throughout the Life During Wartime.

"November 2004" is even more laid back sounding than the previous track. It returns to the vocals of the higher pitched vocalist. The intensity of the song gradually builds as the song progresses while the music has a layered effect to it and ends with a cascading sound quality. The lyrics towards the end draw my attention with the following lines, "Your arms are a mess / How can you go out into public like that / What would your parents say / I've invested / I'm invested." "Come in Alone" has some real noisy parts to it that are tempered by fuller parts that tie everything together. The line, "Nobody likes to kill like the white man" is pretty good; and, although I am pulling it out of context, it immediately drew my attention to the lyrics of the song and extra spins just to try to get the lyrical gist of the song.

Versoma surprises many with this first EP. Life During Wartime really is not similar to Anodyne or Lickgoldensky. The real trick is whether or not this is a tease. It has loads of potential. I was taken aback by its simultaneously noisiness and odd tunefulness. This is well worth your time if you are into noisy guitar driven music. Hopefully, this is just a teaser record and there will be more to come from the band.

7.0 / 10Bob • October 22, 2006

Versoma – Life During Wartime cover artwork
Versoma – Life During Wartime — Robotic Empire, 2006

Recently-posted album reviews

Circuit des Yeux

Halo On The Inside
Matador (2025)

Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in Fohr's narrative sensibility, but it is no longer the same. … Read more

ZEPHR

Past Lives
Dumb Ghost, Snappy Little Numbers (2025)

Sometimes you can just hear the passion in a voice. ZEPHR is one of those bands. They defy convention a little bit, in that I associate gravelly voices with harsher, heavier sounds, but ZEPHR use sore-throat vocals to great effect with midtempo, emotional and melodic 3-chord chugging punk rock and some DC sound. In few words, it's raw, both musically … Read more

Kreiviskai

Motinai
Infinite Fog Productions (2025)

Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more