Review
Disfear
Live the Storm

Relapse (2008) Bob

Disfear – Live the Storm cover artwork
Disfear – Live the Storm — Relapse, 2008

After what is quickly becoming a normative hiatus for this Swedish five-piece band, Disfear delivers their latest blast of d-beat influenced mayhem onto the masses. Live the Storm is their second full length with Tomas Lindberg, vocalist of At the Gates and an innumerable number of other heavy bands, and the first with former Entombed guitarist Uffe Cederlund, as well as their second album for Relapse. Recorded in a whirlwind bout of sessions at God City Studios with Kurt Ballou, Live the Storm is a nonstop thrill ride of heavy punk rock in the vein of Discharge - hence the d-beat influence - with touches of Motörhead thrown into the mix; if hearing Disfear has thus far not been your privilege, they have a similar sound to new labelmates Coliseum.

Live the Storm blasts through the gates with a thrilling number, "Get it Off." The guitar riffing is top notch and just locks in perfectly with the rhythm section while the guitar lead's lazy sound fits perfectly with the nonstop rush that the song provides. Lindberg's vocals are vicious as ever, and he just fits this music so well. "The Cage" is interesting as their seems to be a bit more of a rock and roll feel to the song and instead of being at breakneck speed for the entire song, Disfear allows some of the sounds ring out a bit, which offers some bit of dynamic change. Seriously, "The Furnace" just sounds so damn crunchy and downright dirty; the song moves at a bit of a slower pace than that of other tracks on the album and that really creates a darker mood complete with an ominous siren effect that the band uses during the bridge. I highly enjoy the attitude that just drips from my speakers when "Testament" plays. Lindberg sounds more brash than usual and the music has this palpable swagger that bleeds a fist pumping anthemic style which is only more evident when the band sings "You say we are the future" and "A Testament / Born out of Desperation." "Phantom" ends Live the Storm with a violent pounding and some pretty juicy guitar leads.

Without of a shadow of a doubt this is a killer album from Disfear. When I stated earlier that Live the Storm is a nonstop thrill ride, it is the truth. The band blasts through the ten tracks with a vicious energy that Ballou captures so well on the album while the invective of Lindberg's vocals are in top form too. This is no frills heavy punk rock that sounds like a breath of fresh air in the sometimes convoluted field of albums that come from that genre every year; at least, this is a real good way to kick off 2008. So get this and dig in to the relentless pounding that Disfear delivers on Live the Storm.

7.7 / 10Bob • February 6, 2008

Disfear – Live the Storm cover artwork
Disfear – Live the Storm — Relapse, 2008

Related news

Doomriders / Disfear Audio Player Posted

Posted in MP3s on October 17, 2008

Doomriders & Disfear Working On Split

Posted in Records on October 7, 2008

Disfear Tourdates

Posted in Tours on February 20, 2008

Recently-posted album reviews

Nicole Alexis

Mirrors & Smoke
Independent (2026)

There’s a fine line between stripped down music and so stripped back that is sounds empty. On Mirrors and Smoke, Nicole Alexis lands comfortably on the right side of that line, delivering a debut EP that leans into simplicity without losing its emotional weight. Built around acoustic arrangements and minimal production, the EP feels intentionally close. It feels like these … Read more

The Remote Controls

Too Tough
Fail Harmonic Records, Mom’s Basement Records (2025)

There’s a certain kind of punk band that doesn’t overthink things. No reinvention, no genre-bending manifesto, just fast songs, big hooks, and enough attitude to carry it all. Indianapolis’ The Remote Controls lean hard into that tradition on Too Tough, a record that feels less like a statement and more like a well-earned victory lap. Built on a steady diet … Read more

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more