Review / 200 Words Or Less
Dust is Everywhere
Attics and Catacombs

Creeping Vine (2008) Kevin Fitzpatrick

Dust is Everywhere – Attics and Catacombs cover artwork
Dust is Everywhere – Attics and Catacombs — Creeping Vine, 2008

Dust is Everywhere. D.I.E. Get it?

[cough] Anyway

it could be worse. Ask their labelmates, Rumplestiltskin Grinder. D.I.E. is a band in the black metal ilk, somewhat on the amateurish side, Attics and Catacombs provides a look into the deep, dark recesses of um, Havertown, Pennsylvania - pop: 36,711. Featuring the musical stylings of "Dust" on "Chains, Shackles and Screams" and "Old" on "Bones".

I'm going to take a shot in the dark and guess that these two guys got their asses kicked in school on a daily basis and this album is their revenge. So, name aside and cartoonish (buffoonish) image aside, Attics and Catacombs is a surprisingly good album. The music is strong, sharp blackness and the vocals are suitably hellish and reminiscent of Emperor's Ihsahn. This adds up to an unfortunate situation because the black metal purists don't have a tolerance for their music being played with less-than-full-sincerity.

D.I.E. might be sincere but the name, the song titles like "Horrid Places" and "Born in the Basement" are going to make it difficult for anyone to take them seriously. They very clearly get inspiration in both sound and presentation from King Diamond but they've obviously lost sight of the fact that now, in 2008, King Diamond is barely able to maintain the respect once given, with everyone else treated with about as much seriousness as Dethklok, who even with an obvious love and reverence towards the genre are nothing more than a cartoon.

Dust is Everywhere – Attics and Catacombs cover artwork
Dust is Everywhere – Attics and Catacombs — Creeping Vine, 2008

Recently-posted album reviews

The Library Is On Fire

Degeneration Elegies
The Abyss, Ltd. (2026)

There’s a certain kind of band that never quite fits the moment they arrive in. Sometimes too jagged for one scene, too melodic for another. The Library Is On Fire were one of those bands in the early 2000s, hovering somewhere between indie-punk urgency and power-pop instinct without fully settling into either. On Degeneration Elegies, their first full-length in over … Read more

Nicole Alexis

Mirrors & Smoke
Independent (2026)

There’s a fine line between stripped down music and so stripped back that is sounds empty. On Mirrors and Smoke, Nicole Alexis lands comfortably on the right side of that line, delivering a debut EP that leans into simplicity without losing its emotional weight. Built around acoustic arrangements and minimal production, the EP feels intentionally close. It feels like these … Read more

The Remote Controls

Too Tough
Fail Harmonic Records, Mom’s Basement Records (2025)

There’s a certain kind of punk band that doesn’t overthink things. No reinvention, no genre-bending manifesto, just fast songs, big hooks, and enough attitude to carry it all. Indianapolis’ The Remote Controls lean hard into that tradition on Too Tough, a record that feels less like a statement and more like a well-earned victory lap. Built on a steady diet … Read more