Review
Air
Pocket Symphony

Astralwerks (2007) Campbell

Air – Pocket Symphony cover artwork
Air – Pocket Symphony — Astralwerks, 2007

You know those bands that everyone talks about but you never get the chance to check them out? This is one of those cases. I never knew anyone who listened to Air on any regular basis, and bands that have extremely simple names never really seem to stick in my mind. Plus, when I hear the word electronica, it doesn't exactly send me running to the nearest Tower Records (yes, they're all gone, but I like to keep the spirit alive). But, luckily for me, I'm an adventurous listener, and I decided to check out Air's newest effort, Pocket Symphony.

For those who don't know, Air is a French duo usually dubbed as electronica, and they don't stray too far on their latest effort. You might recognize Air songs from their 1998 soundtrack to The Virgin Suicides or one of their tracks placed in various commercials and TV shows over the years. This is their first release since their 2004 spastically-reviewed album, Talkie Walkie.

The opening track, "Space Maker," begins with a lone echoing percussion beat, setting the tone perfectly. Slowly, an acoustic guitar, a piano, and a bass line come in and work together to really just bring a foggy afternoon to mind. Different keyboard sounds give the track an electronic overtone, but the melodies are softer than what you would expect. This leads into "Once Upon a Time," the first track on the album to have any singing. Similar melodies work perfectly with the quiet female vocals, dripping in a French accent.

Pocket Symphony holds itself together pretty well throughout. There are a few songs that hold true to Air's earlier sound to satisfy those disappointed with their last full-length release. There are also a handful of songs like "Somewhere Between Waking and Sleeping" and "Night Sight" that you can't help but compare to American contemporaries like the Album Leaf. The album seems to touch on all kinds of sub-genres and pull it off; "Left Bank" almost sounds like an Elliott Smith outtake.

I'll be honest; I didn't know much about Air before I picked up this album this past spring. But Pocket Symphony definitely won me over with the soft melodies and vocals combined with an ambient electronic feel. Perhaps this is not what long-time fans expected, but I think that it's a solid album standing on its own. Not all the songs are perfect, but if you're a fan of Air's brand of ambient, electronic-heavy melodies, there's no way you can turn your back on it.

8.6 / 10Campbell • December 10, 2007

Air – Pocket Symphony cover artwork
Air – Pocket Symphony — Astralwerks, 2007

Related features

Chairmaker

One Question Interviews • December 30, 2025

On The Air with Stella Stray Pop

Music / On The Air • November 30, 2023

Related news

Imperfecta Wheelchair Sports Camp

Posted in Records on April 6, 2026

From the Lair of the Minotaur

Posted in Records on March 13, 2026

Elemantra cuts Air Like A Buzzsaw

Posted in Records on October 13, 2025

Recently-posted album reviews

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more