Review
Amy Beth And Thee Creeps
Shitheel EP

Chaputa! Records (2026) Loren

Amy Beth And Thee Creeps – Shitheel EP cover artwork
Amy Beth And Thee Creeps – Shitheel EP — Chaputa! Records, 2026

Sometimes I like to come into a record as a blank slate.

Amy Beth And Thee Creeps sent me a short email with their latest EP, Shitheel. It's a 4-song garage-punk ripper that's easily under 10 minutes. I just checked: it's five and a half minutes.

With no bio, the music speaks for itself and this is rhythmic, pulsing garage rock through a punk filter. It's fuzzy and full of reverb on the vocals, even a little on the cymbals, and it has a nice basement or bowling alley feel that bleeds authentic rock 'n' roll energy with a little swagger too.

The song titles are "Fucking With My World," "So Gone," "I'm A Bug," and "14 Months in Chino." Why do I highlight that? I think it gives a vibe of the band's gritty, everyperson approach. There are hints of despair if you look for a theme across all the titles (ahem, Shitheel), but with resilience and empowerment. "I'm A Bug" might be my least favorite here, due to the repetitive style, but I also think it highlights the tone and energy: like the Ramones riding a motorcycle down a dusty dirt road at full speed, literally picking the bugs out of their teeth. I should also mention that it’s a cover of The Urinals but, style-wise, it blends into the EP perfectly.

A lot of garage rock -- speaking back to the rockabilly old days -- was prevalent with real life creeps. Amy Beth And Thee Creeps seem more grounded and a little more approachable. Their garage-punk is high energy and rollicking. It's perfect for smashing stuff, but it's also self-aware and downright fun.

8.0 / 10Loren • April 4, 2026

Amy Beth And Thee Creeps – Shitheel EP cover artwork
Amy Beth And Thee Creeps – Shitheel EP — Chaputa! Records, 2026

Recently-posted album reviews

Nicole Alexis

Mirrors & Smoke
Independent (2026)

There’s a fine line between stripped down music and so stripped back that is sounds empty. On Mirrors and Smoke, Nicole Alexis lands comfortably on the right side of that line, delivering a debut EP that leans into simplicity without losing its emotional weight. Built around acoustic arrangements and minimal production, the EP feels intentionally close. It feels like these … Read more

The Remote Controls

Too Tough
Fail Harmonic Records, Mom’s Basement Records (2025)

There’s a certain kind of punk band that doesn’t overthink things. No reinvention, no genre-bending manifesto, just fast songs, big hooks, and enough attitude to carry it all. Indianapolis’ The Remote Controls lean hard into that tradition on Too Tough, a record that feels less like a statement and more like a well-earned victory lap. Built on a steady diet … Read more

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more