Review
Aseitas
False Peace

Translation Loss (2020) Cheryl

Aseitas – False Peace cover artwork
Aseitas – False Peace — Translation Loss, 2020

Aseitas hail from the wilds of Portland, Oregon and while many bands from that region tend to dabble in the blackened side of the extreme metal spectrum, this group aim to create sonic dissonance via the technical aspects of death metal. Their second full-length, False Peace, is a demanding listen, not least because of three long-form tracks (all over ten minutes) that require closer attention in order to truly grasp the features of the songs. Atonal riffs, heady screams, avant-garde guitars and a disturbing atmosphere could all coalesce into chaotic noise, yet Aseitas’s tight control never allows the songs to tumble fully into the abyss and while “Spite/Sermon” tops out at fourteen minutes, the song is interesting throughout and moments of peace are allowed to shine through the darkness. Of course, as promised, that peace is not real and cannot last and so the song soon negates the serenity and pushes through the light, trailing shadows in its wake and creating a sense a death.

Where False Peace is aggressive, it also finds moments to breath and take respite from the turmoil and does so through the shimmering elements of “Crucible” and the gorgeous post-rock cascades of the introduction of “Blood Into Oil,” allowing the band to reflect on the horrors they have created and give space for more delicate emotions. The song is gentle in its progression to more violent territory but the build-up feels necessary as it brings the ferocious nature of the band clearly into focus – Aseitas use silence only to give themselves more power, more dynamism and “Blood Into Oil” is never a more perfect example of a band exercising control over their sound.

“The Value in Degradation” veers into entirely new areas as its unusual electronic pulses echo into the night, the song descending further into bizarre noises almost as though they are the distant cries of an alien lifeform, calling across the galaxy – perhaps for war as there is nothing peaceful about this communication. “Behemoth’s Dance” edges out the curious progressions and instead aims its course directly into the savage death metal arena that Aseitas are more at home in. The track is another monumental structure, sixteen minutes of hard-hitting and brutal death metal, that is rendered through snarls, off-kilter rhythms and intoxicating guitars. Aseitas take False Peace to the limit and surpass it with ease.

7.5 / 10Cheryl • September 14, 2020

Aseitas – False Peace cover artwork
Aseitas – False Peace — Translation Loss, 2020

Related news

July Aseitas

Posted in Records on May 8, 2020

Recently-posted album reviews

Dylan Thomas

Todo se desvanece
Burnt Toast Vinyl (2026)

When bands spend months slowly piecing together an album with cheap gear, limited time, and apparently an alarming amount of terrible beer, it’s kind of romantic. Not romantic in the polished indie film sense. More romantic in the sense that you can actually hear people chasing a feeling before life pulls them in different directions. That tension sits at the … Read more

Adam Steiner

Darker with the Dawn: Nick Cave's Songs of Love and Death
Rowman & Littlefield (2023)

Adam Steiner doesn’t just break the earth with a spade with this book; he actually digs deep into the fertile soil to enter the cobwebbed crypt. He approaches the catalogue like a forensic scientist examining the maggots on a corpse—meticulously analyzing the rot and the details of decay to chart exactly how long the body has been decomposing. He gets … Read more

Six Going on Seven

Human Tears
Spartan Records (2026)

Late 90s post hardcore and emo feels impossible to recreate now. That’s not because the sound itself is gone, but because the tension behind it was so specific to that era. Six Going on Seven’s Human Tears, their first full length in roughly twenty-four years, captures that feeling perfectly. Having a wonderful history by having done a split with Hot … Read more