I’m not sure what this says about me, but I like Astpai’s Burden Calls just fine but it takes until they pull a sample from Teenage Mutant Ninja Turtles (the original) to hit that next level. It has little to nothing to do with the actual songs, but somehow it shifts the tone and the energy just picks up at “Death Everywhere” after Master Splinter’s sage words.
The band has a strong ‘90s tone. Think melodic hardcore like Good Riddance but with gruff vocals a la No Idea Records bands. There are big melodic hooks with dramatic and sweeping melodies. The vocals are piled atop and hoarse, shouting into a dark void. All in all, without consulting a lyric sheet, there’s a dark feel to this compared with the aforementioned references. The songs are built on plodding progressions and those soaring melodies culminate in a gigantic roar. It’s a technique repeated throughout the record.
That reuse of form doesn’t hinder but it does tend to make the songs blur together more than they should. Movie clips serve to break that similarity and it works for a few seconds, but it’s a cheater course of action that doesn’t work over the whole record. I like what I hear in the band, with the angry choral shouting in “Single Use:” “Talking ‘bout our degeneration!” to the temporary whoa-oh moment of “Oxygen,” but it’s also a style that really calls for the band to stand out from the crowd. Astpai is on the verge with their vocal tones and chaotic peaks, but it never fully forms into an album of varied songs. When they do mix up the tempos, as in “Departure,” it really highlights those melodic influences from the ‘90s. When they slow it down, as in “Careers,” vocalist Zock sounds a touch like Nothington. The music, however, is far more dynamic and soaring than that band; it is a vocal resemblance only.
I think Astpai could release an outstanding EP, but on their fifth full-length, it tends to run together at 35 minutes total. Burden Calls is really sitting on the edges of being a great record, though it ultimately pulls up at simply “pretty good,” losing its way when the band ventures from their strengths.
Converge—Nietzsche’s pissed off nephew, Rilke’s furious friend—achieves a glimmering consummation in a mishmash of fourness (which, in numerology, symbolizes spiritual wholeness). They went from thrash titans to sonic gods; now ...
'[T]here the nightingale filled all the desert with inviolable voice and still she cried, and still the world pursues, "Jug Jug" to dirty ears.' And likewise, with dirty ears, the ...
Posted May 7, 2018, 10:12 p.m.
Astpai have debuted a video for "Best Years" from their upcoming new album True Capacity. The new album, set to release on June 22 on Jump Start Records, was mixed ...
Posted April 22, 2015, 10:54 a.m.
Next month Broadcaster and Astpai will tour Europe together, joined along the way by Timeshares, who have a nwe album on SideOneDummy. Dates are below.
Posted Feb. 16, 2015, 1:13 p.m.
Welcome to our almost daily quickie Q&A feature: One Question Interviews. Follow us at facebook or twitter and we'll post one interview every Monday-Thursday. Okay, sometimes we miss ...
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.