Review
Bandname
Breakfast

Soft City Records (2011) Loren

Bandname – Breakfast cover artwork
Bandname – Breakfast — Soft City Records, 2011

Flippant is a word that popped up on the of Bandname's press sheet. Take their moniker into account and add the heavy slackerism that permeates everything they touch on their debut full-length, Breakfast, and that seems an appropriate description. The Philadelphia three-piece play pop punk that's run through an organ grinder with 90s alternarock, distortion-heavy garage and, more or less, the entire Plan-It-X catalog.

The twelve songs here clock in under half an hour, with a steady upbeat pace that varies between songs, creating distinct separation yet driving home the idea that a song only needs 90 to 180 seconds to get its point across. The songs get to the point in a hurry in a garage rock style, but the delivery is more Pavement than power chords, with lazy vocals from all three members and plodding basswork that distracts from the energetic guitar and drums. It's a curious blend that gives a lo-fi feeling to songs that undoubtedly rock when played live. The vocals, shared amongst the three members, are at the front of the mix and their half-assed approach doesn't always give a good impression. The opening lines on the record turned me off almost immediately on first impression. As the record progressed, the listener gets used to the style, though it's still a breath of fresh air when Cat Park takes over, with a more enthusiastic punk style instead of the Malkmus-inspired lines Greg Labold and Jeremy Jams deliver. With three singers and twelve songs, there's enough variety that no one voice gets old, though I definitely have my favorite among the three.

The band mixes up styles frequently, with high energy songs from Park '90s drenched tracks like "Flathead" and "Another Life." The unifying lifeblood that courses throughout comes from the lo-fi tone and the noisy guitars that dominate, guiding the intentionally lazy style in a driving rock fashion that separates Bandname from their influences. In many ways it sounds like Pavement-schooled rock, but the brevity and directness are pure punk rock. As bizarre as it may sound, Bandname has found a way to bring the Pixies and Pavement into punk rock.

6.6 / 10Loren • August 8, 2011

Bandname – Breakfast cover artwork
Bandname – Breakfast — Soft City Records, 2011

Recently-posted album reviews

Circuit des Yeux

Halo On The Inside
Matador (2025)

Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in Fohr's narrative sensibility, but it is no longer the same. … Read more

ZEPHR

Past Lives
Dumb Ghost, Snappy Little Numbers (2025)

Sometimes you can just hear the passion in a voice. ZEPHR is one of those bands. They defy convention a little bit, in that I associate gravelly voices with harsher, heavier sounds, but ZEPHR use sore-throat vocals to great effect with midtempo, emotional and melodic 3-chord chugging punk rock and some DC sound. In few words, it's raw, both musically … Read more

Kreiviskai

Motinai
Infinite Fog Productions (2025)

Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more