Review
Barcelona Gipsy Balkan Orchestra
Nova Era

Satelite K Records (2020) Robert Miklos (Piro)

Barcelona Gipsy Balkan Orchestra – Nova Era cover artwork
Barcelona Gipsy Balkan Orchestra – Nova Era — Satelite K Records, 2020

Nova Era is a sweet journey through the olden Balkan ethos that permeates this region, of which I also happen to be a part of. Of course, I have certain biases that will come to light through the course of this review, but do not let that discourage you from delving into these sounds in any way.

Barcelona Gipsy Balkan Orchestra is, well, to me at least, a bit of an unusual ensemble. It’s rather rare that world music and adjacent folk music as well as highly ethnic styles see the light of day in the form of a band – much less so a band that gets international coverage. One interesting example that fits that type which comes to mind is Gogol Bordello, but they’re far from the stylistic area we’re looking at as well as other aspects.

While I wasn’t as enchanted with this particular record as I was with the band’s previous releases, which sold me into listening to them in the first place, there’s a lot of great stuff going on. It would be strenuous on my end to expand on that, so I’ll leave it at that. Not that it’s bad or anything, it’s just different in a direction I didn’t necessarily expect or vibe with.

Nova Era adheres faithfully to the sound of traditional music from Balkan countries, as anyone from those regions could confirm upon hearing the tunes. It actually felt kind of surreal for me, especially with “Constantine, Constantine” and “Sedi Donka – Joc Mare” which are emblematic of the traditional music played here in Romania. I also had a bit of a nauseating feeling as, growing up here there are certain associations made with this type of music, as well as the fact that it created a certain listening fatigue as I’ve been heavily exposed to its brutishly common denominations.

You can definitely hear a strong Serbian influence throughout; I couldn’t say it’s isolated to any one track as it’s spread across the entire record. You can definitely hear this in “Ciganine Sviraj, Sviraj”. In geographical proximity, we also hear some Bulgarian tones, most noticeably on “Krajdunavsko Horo”. Going further south, there’s a fair Greek component that also comes to life in “Magia”. There’s also some of that highly specific Mediterranean magic coming through there.

Basically, what I’m trying to underline is how accurate and authentic the sounds are. They really capture the essence of these places in basically all the ways. It feels like a journey on multiple levels, as you pass through the record. The spot-on performance of the band, as well as the production value only serve to make the whole affair more compelling and immersive.

So, what are you waiting for? Get your ticket and embark on this trip. Nova Era is a great stepping stone for those looking to branch out into these styles and it’s definitely a neat collection of songs for those who are already consuming this stuff.

Barcelona Gipsy Balkan Orchestra – Nova Era cover artwork
Barcelona Gipsy Balkan Orchestra – Nova Era — Satelite K Records, 2020

Recently-posted album reviews

The Phase Problem

The Power Of Positive Thinking
Brassneck Records (2024)

I spent a good part of the late ‘90s annoyed at the abundance of Ramonescore. I’ll stand by my word: many of the bands of that era were carbon copies that didn’t bring anything new to the format. But time has passed and what was overdone is now a refreshing change of pace. For whatever reason, when I hear a … Read more

Totally Slow

The Darkness Intercepts
Refresh Records (2024)

I find Totally Slow a hard band to categorize. Their brand of melodic, hard punk is familiar and comforting -- rooted in ‘80s hardcore, ‘90s skatepunk, and post-something guitar-driven rock. The press release namedrops Dag Nasty and Hot Snakes, among others, which I think are good starting points. But while it’s familiar, it’s absolutely not a carbon copy. Like their forebearers, the songs … Read more

Steamachine

City of Death
Records Workshop (2023)

City Of Death is the third album from Polish noise makers Steamachine. Having dabbled in a few metal styles over their career, City Of Death has a heavy carnival influence to it which I have to say I really like. It's interesting just how much more sinister things sound when you pump eerie, jingly circus sounds amongst very dark, heavy, … Read more