Review
BlackDots
EP2

Motorcycle Potluck Records (2022) Loren

BlackDots – EP2 cover artwork
BlackDots – EP2 — Motorcycle Potluck Records, 2022

BlackDots are back with EP2, released digitally and on a flexi 7”.

The peppy, punky band from Denver are energetic but they aren’t your typical punk band, even if they do check a lot of the boxes. With dual vocals and melodic guitars, the general sound is somewhat quirky but upbeat and bouncy music. It’s emotional and cathartic but built around singalong choruses and rhythmic hooks instead of aggression. It’s certainly not happy music, but it comes across uplifting rather than destructive. And while the lyrics are pained at times, there is a general tone of hope rather than escapism or lament. Some would likely categorize it into the indie-punk category based on this, but I think the structures are more on the traditional punk side of things. Members have also played with Vena CavaThe Achievement, and Knee Jerk Reaction.

One of the most unique things about the band is that the two singers (one male, one female) have similar singing styles. Instead of shooting for contrast to revitalize a song when it gets stale, the tradeoffs give continuity with subtle variation. This EP is more of a “lead” style with fewer tradeoffs from song to song, favoring in-song changeups instead, often using a format that straddles somewhere between harmonization and call and response. “Redeem” is a good example of how the vocal inflection is often used to turn a complex situation into sounding positive. It’s a talent both signers possess.

BlackDots are really driven by the drums and vocals, with guitar and bass taking more of a tone-setting approach. You definitely can’t ignore them (“Redeem,” for example, has some serious San Diego Dan Padilla or Tiltwheel vibes, but with a different twist vocally). The mix rightfully puts both of these elements at the forefront, emphasizing the singalong nature while the guitars have that basement, powerful but understated tone with a rough around the edges element that makes it feel world worn instead of pristine. “Are We There Yet” feels urgent, in large part to the relentless drumming paired with the direct lyricism.

In many ways BlackDots play direct, poppy punk. The lyrics and structures are upfront and blunt, but there are many nuances and contrasts within, blending empowerment, vulnerability and a call to action. It’s personal and political, happy and sad, angry and refreshed.

I really like the band they’ve now released two good EPs. While I don’t know what’s missing, it feels like they’re a half step away from a great album.

7.5 / 10Loren • August 16, 2022

BlackDots – EP2 cover artwork
BlackDots – EP2 — Motorcycle Potluck Records, 2022

Recently-posted album reviews

Between the Buried and Me

The Blue Nowhere
Inside Out (2025)

Between The Buried And Me are seasoned vets to the progressive metalcore, electronic, prog (whatever other genre they bend) scene and continue to drop album after album. Their career started back in 2000 from the ashes of one of the greatest metalcore bands of all time (in my humble opinion), Prayer For Cleansing. As the band has progressed over the … Read more

The Beths

Straight Line Was A Lie
Anti (2025)

Dear Beths, Congratulations on the new release. I’ve been reflecting on our relationship and, as I’ve recently started to write about music again, have been asked to share my thoughts with you. First and foremost, I want to say that this isn’t easy for me. I cherish your album Future Me Hates Me from 2018. The title track alone is … Read more

East End Redemption

Crashing Down
Independent (2025)

Who would’ve thought that from the land of lobsters and blueberries, you’d find a punk band? East End Redemption is a four-piece band that brings their flavor of punk from Portland, Maine to the masses with their eleven song, debut full-length album, Crashing Down. They mix elements of skate punk, power pop, and even hints of hardcore punk. The band … Read more