Review
Bleaklow
The Sunless Country

Independent (2011) Sarah

Bleaklow – The Sunless Country cover artwork
Bleaklow – The Sunless Country — Independent, 2011

Though a lot of post-anything music can, using a single theme, reach past the 10 minute mark without necessarily becoming repetitive or stale, there is still a point where too much is too much. You can only listen to embellishment and variation on one theme for so long before you start to go mad and beg for some variety. I'll be honest, that's pretty much exactly what I had expected this single epic-length post-metal track to be. Thankfully, Bleaklow's EP The Sunless Country, a single 20-minute song, is a perfect example of taking some lessons from the common pitfalls of a repetitive genre and building them up to a more interesting, progressive result.

What I appreciate most is that "The Sunless Country" feels like more than a pointless string of unrelated doodles--themes are reprised and built upon, disparate sections maintain a constant, related tone, and the piece never seems to take random steps into left field. It's not merely a wandering, aimless 20-minute exercise in musical endurance; it has a distinct character and substance that make the piece feel like a cohesive whole. Granted, some of the main melodies do feel incredibly simplistic (the first major theme we're introduced to, for example, is comprised almost entirely of a single chord). And while that may just be a symptom of the genre, I can't help but feel that there could've been just a little bit more localized variety at times. But overall, the piece sounds unexpectedly fresh.

The band's instrumental proficiency and discipline is incredibly clear. While their playing is often very controlled understated, there are numerous places where the music betrays hidden underlying depths to the musicians behind it. There are numerous small bursts of complex drum fills and frills that come and go so quickly that they're easy to miss, and the guitarist only allows himself one heavily reigned-in solo in the second half of the piece. But you can tell they're holding back, not out of incompetence, but of respect for the lighter, reserved nature of the piece. Their technical proficiency tends to manifest itself in the subtle complexity that underlies their guise of simplicity. The song reminds a lot of Gojira in places, especially during some of the intricate polyrhythmic sections. There are also hints of Vildhjarta in the quick, rapid-fire rhythmic patterns towards the last quarter of the piece, one of the few moments where the band really lets loose.

In general, it's a welcome release with plenty to digest. Any fans of post-metal or instrumental prog will certainly take a liking to this EP. It's short and sweet, incredibly well done, and also available to download from the band's website for free. Did you see anything resembling a downside in that sentence? I didn't think so.

7.5 / 10Sarah • April 2, 2012

Bleaklow – The Sunless Country cover artwork
Bleaklow – The Sunless Country — Independent, 2011

Recently-posted album reviews

Action/Adventure

Ever After
Pure Noise (2025)

Chicago’s Action/Adventure have been grinding the pop-punk trenches since 2014. They have always played pop-punk like it still has something to prove because for them, it does. They went viral in 2020 on TikTok with their song “Barricades” by calling out the exact thing no one in the scene wanted to say out loud. The genre is full of white … Read more

217

In Your Gaze
Time To Kill (2025)

If you didn’t know, hardcore and punk are alive and thriving in Italy. When I come across bands from there, their scene never ceases to amaze me. Italy gave us Raw Power and Negazione in the ’80s, Slander and Strength Approach in the 2010s. Now 217 picks up that lineage with their own mix of fire and reflection by keeping … Read more

Ugly Stick

Absinthe
Hovercraft Records (2025)

Contrary to what I said on Vh1’s Behind the Music, Tim from Hovercraft is one of my favourite human beings. I suppose in some ways that’s not saying much but Tim plays in one of my favourite bands, I’m a fan of his art and on top of those two things and running a label, his day job is saving … Read more