Review / 200 Words Or Less
Brooke Bentham
This Rapture EP

All Points (2017) Aideen

Brooke Bentham – This Rapture EP cover artwork
Brooke Bentham – This Rapture EP — All Points, 2017

Even though 21-year-old Brooke Bentham is firmly entrenched in the burgeoning South London music scene, her music sounds as though it has been dusted with sand from a Californian desert. With a sound that recalls Angel Olsen and First Aid Kit, her music soars and dips though the ravages of a shattered relationship with arresting lyrics and fluid guitars.

These affairs of the heart plague Bentham on This Rapture, her second EP following last summer's The Room Swayed. Staggered drumming is slumped over the shoulder of Bentham's winding and impassioned vocals on this EP, where she desperately tries to make a relationship work on "Have to Be Around You", ending in a blitz of shimmering synths, before accepting resignation on the dejected "Why We Fall". 

Just when you feel like you've figured out Bentham's sound, closing track "Solo" throws a curve ball. Bathed in fuzzy, distorted guitars, this icy track sees Bentham declaring, "Take me out, and I won't talk to you", with the intense, grunge-inflected guitars marking the jagged edges of the the point of a break-up where everything ultimately becomes futile. This Rapture is an unflinching exploration of a failing relationship, that doesn't come up for air and bypasses posturing. It sounds like Bentham has a lot more to offer.

7.0 / 10Aideen • November 13, 2017

Brooke Bentham – This Rapture EP cover artwork
Brooke Bentham – This Rapture EP — All Points, 2017

Recently-posted album reviews

Nicole Alexis

Mirrors & Smoke
Independent (2026)

There’s a fine line between stripped down music and so stripped back that is sounds empty. On Mirrors and Smoke, Nicole Alexis lands comfortably on the right side of that line, delivering a debut EP that leans into simplicity without losing its emotional weight. Built around acoustic arrangements and minimal production, the EP feels intentionally close. It feels like these … Read more

The Remote Controls

Too Tough
Fail Harmonic Records, Mom’s Basement Records (2025)

There’s a certain kind of punk band that doesn’t overthink things. No reinvention, no genre-bending manifesto, just fast songs, big hooks, and enough attitude to carry it all. Indianapolis’ The Remote Controls lean hard into that tradition on Too Tough, a record that feels less like a statement and more like a well-earned victory lap. Built on a steady diet … Read more

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more