The news that Pig Destroyer were to release a new record this year was met with much celebration, a lot of shouting and a resounding “fuck, yes, it’s about bloody time!” chorus from their devoted fans. Pig Destroyer have been extremely quiet since the release of their last full length, Phantom Limb, in 2007 and along with the EP Natasha … Read more
I unabashedly love Pig Destroyer. And while they are out of vogue with the kvlt grindsters, I think they are infinitely more interesting than the million other death/grind bands with illegible logos. 2004's Terrifyer is one of the few albums I would consider a modern classic, naysayers be damned. So when I heard they added a fourth (non-bass playing) member, … Read more
Singles are something I usually avoid when reviewing. I find it difficult to say something that makes sense with so little to work with. For Pilkington I’ve made an exception. They offered me two singles. The four songs combined clock in at almost 14 minutes. I can deal with that! Pilkington is an indie band from Philadelphia. They released their … Read more
Pilkington's self-titled debut is at the same time their swansong. It serves as a testimony to the good time the band had together as a band. As they were recording this album back in 2018 the band members uprooted and spread out. This was basically the end of the band.Reading this information in the press sheet I was a bit … Read more
On to the next single. Again we start with it's title track, of course: "Soft Flesh." This is the song that lured me into reviewing these singles. On "Soft Flesh" (the song) Pilkington uses a casiotone and they use it well. From the first second I was hooked. To finish the song of the guitar work here is very surfy … Read more
After three years of Rob Crow sowing his wild musical oats with namely Goblin Cock and his solo album, he has joined back with Armistead Burwell Smith IV to put out another album under the name Pinback. Autumn of the Seraphs is Pinback's second album for Touch & Go and you can tell right from the first note that the … Read more
Authenticity goes a long way these days in the music industry. It’s most desired in any aspiring musician and sets artists apart from a sea of others chomping at the bit. Using primarily programmed percussion only toughens the playing field; yet, when your band consists of two members playing the role of a full gang, approbation is appropriate. Since the … Read more
Directly after the cover of Pinback's photographically dense lyrics booklet, there is a certain image that I consider of extreme relevance to the rest of this tight, ten-track album. It's a picture of a staircase set in arid yellow stone, one that leads downwards into an old underground bunker. This image, along with a similar and intrinsically linked photo at … Read more
Pinhead Gunpowder began in 1990, recording a 7” in 1991. The band last released a 7” in 2008… Until late 2024 when the band returned with the 14-song full-length Unt. So congratulations if you had “we get a new Pinhead Gunpowder record before a new D4 record on your bingo card. (These two bands released a split 7” in 2000 … Read more
'Oh great,' you're probably thinking, 'another critic on the Internet with her head up her own ass talking about this fucking Pink Floyd album again. How droll.' Let me assuage your concerns: I'm not here to review or otherwise convince you either way on The Dark Side of the Moon itself. You've already heard it by now, and you're already … Read more
The last of the three major Pink Floyd albums to be expanded and reissued is their 1979 double-album opus The Wall. If you haven't heard of this album already, then...well, you're probably lying. I'm willing to bet that, when I type "WE DON'T NEED NO EDUCATION", literally all of you now have "Another Brick in the Wall, Pt. 2" stuck … Read more
I'm really quite thankful that the Why Pink Floyd...? remaster campaign has made it to Wish You Were Here so soon. It has aged incredibly well, and is every bit as perfect of an album today as it was when it was first released. It even holds up favourably in comparison to the first album to be reissued, which was … Read more
Shoegaze and psychedelics just naturally go hand in hand. Sure, you can have one without the other, but you'd probably be cheating yourself of one of two things: a spiritual epiphany, or a night of sitting on your ass in your room staring blissfully into the space. Alright, maybe there isn't really a difference between the two, but Pink Mountaintops … Read more
Pink Razors is a pop-punk band from Richmond, Virginia that plays a fast and catchy form of music comparable to Latterman. The band has released a full-length and split with Environmental Youth Crunch, and now this three song seven inch. Each song features fast and snotty vocals and each song clocking in at less than three minutes, and are all … Read more
Bands can sometimes get falsely categorized by those who don't know any better. And it really only takes a few misapplications of a genre to a band before you get frustrated, or simply declare the said genre dead to you. Anyways, we approach the new Pink Razors record Leave Alive with the term pop-punk somewhat lodged in most descriptions of … Read more
Do you remember when pop-punk wasn't sung by guys with swooping black'n bleached haircuts wearing button-up shirts and girl pants? Do you remember when pop-punk didn't have over-produced, mirror-polished, fake-as-hell vocals? Remember when pop-punk had some attitude? Yes, I also remember Screeching Weasel, and more recently, Dillinger Four. Now here's another band that gets it right. Pink Razors are a … Read more
Last year's self titled record from Pinkish Black was a distinctly (un)pleasant surprise from a duo that have been making music together for a substantial length of time. Pinkish Black took the critical world by storm with their debut and the record was, quite rightly, considered a breath of fresh air within the darker confines of the musical spectrum. Pinkish … Read more
Texan duo Pinkish Black employ synthesised loops of terrifying, droning pulses and a deliciously dangerous swagger filters through this debut. Daron Beck’s clouded voice dips in and out of throbbing electronic beats whilst currents of perilous doom cut through the loaded atmosphere, Beck’s voice often hidden in the murky depths of the all consuming sounds layered by cohort Jon Teague … Read more
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