Los Angeles quartet Dear Boy are firm favourites in their hometown's indie scene, but their new EP suggests that they could go much further. Dear Boy is fronted by Ben Grey, formerly of indie darlings Scarlet Grey, with guitarist Austin Hayman, bassist Lucy Lawrence and drummer Keith Cooper completing the line-up. The band has been together since 2012 and they … Read more
Too much hype is something that can kill a band in the end of things because there's a good chance that said band never lives up to it and ends up being tagged a disappointment for the rest of their careers. Thankfully, this is not the case at all with Illinois quartet Dear Landlord's debut album, Dream Homes,, which has … Read more
It's been three years since Brooklyn's Dear Tonight released their debut EP These are Wires. Since then the band has toured regularly, went to Europe with Boy Sets Fire, and honed their sound in order to release We're Not Men, the bands first full-length and only their second release as a band. While These are Wires was much grittier and … Read more
What does it mean to have over 407,000 plays on Purevolume, over 170,000 plays and over 10,000 friends on Myspace? After listening to Dear Whoever's EP, Sound the Trumpet, I have found the answer to these questions, among others. Such as, what happens when you mix teenage angst with Christian metal? And the ever popular, would you rather listen to … Read more
For a group that went on hiatus almost directly after the release of their debut full-length, Believing in Ghosts, it's unexpected that Dearly Departed would be back so soon with thirteen (twelve not counting "The Masquerade") new songs to gift onto the music landscape. After all, it has barely been three years. Keep in mind that What Awaits Us comes … Read more
I'll be the first to admit that I often judge a book by its cover the same way I judge a band by their name and cover art. Simply based on these indicators, Death Before Disco did not give me great first impressions. I mean, Death Before Disco; not only is it a terrible name for this bands sound but … Read more
Boston natives Death Before Dishonor really broke through with their 2007 full-length Count Me In. Like it's predecessors, it featured a punishing assault of metallic hardcore that captivated hardcore fans around the globe. In addition, the band infused their standard sound with some of their hometown punk upbringings, which - for me - brought up mixed reactions. Two years later … Read more
Boston-based and Boston-proud, Death Before Dishonor has been churning out bruising hardcore since they first hit the scene with True Till Death. Their debut EP hit with very much the same style of breakdown heavy metallic hardcore that they drew their namesake from. Five years later, the band continues to deliver the hits with Count Me In, their debut full-length. … Read more
Alright, let's look at the stats: Name: Death Breath. A truly ridiculous name for a band of any genre Albums: Stinking Up the Night, Let it Stink. Are you kidding? Album Covers: Pictures of zombies, paintings of zombies. The new EP featuring a parody of The Beatles' Let it Be cover. With zombies. For real? Is Weird Al Yankovic in … Read more
Fearlessly naming their new record Death for Life is an instant indication that Death By Stereo aren't about to back down despite the lawsuits and legal issues surrounding the band after a death at one of their shows in 2003. Just in case you didn't pick up on the name, the record begins with some gang vocals chanting the words, … Read more
Before I start this review, let's have a little history lesson. Death By Stereo began their careers by releasing two very solid hardcore albums (If Looks Could Kill, I'd Watch You Die and Day of the Death) and winning a lot of fans over with their energetic live shows. In 2003, they released Into the Valley of Death, which showed … Read more
I’m pretty sure I became aware of Mike Krol when The Whiffs posted about playing some shows with him. Krol is a bit of an anomaly. Not only is he on Merge and collaborates with Mac Superchunk- a dream scenario imo- but he’s also been elusive of my fan boy attempts at cold dm’ing him about stuff even tho we … Read more
Ten albums into their tenure and Death Cab for Cutie are still finding ways to reinvent themselves while maintaining their identity and sound. Their 2018 release, Thank You For Today, was the first to feature members Zac Rae and Dave Depper after long-time member and co-writer, Chris Walla, left the group. This led to the songs on that album being … Read more
With a prolific band like Bellingham, Washington’s Death Cab for Cutie, (Codes and Keys being their seventh studio album release), it’s impossible for fans not to speculate how their newest album is going to sound. “Maybe it’ll sound like Transcendentalism with some Postal Service influence!” “Maybe it’ll be like Narrow Stairs... but better!” “What The Open Door EP started, Codes … Read more
With their fifth full-length, indie music darlings Death Cab for Cutie make the jump from 'the little engine that could,' Barsuk Records, to the big-time of Atlantic Records. But don't pick up that rock just yet. Death Cab isn't deserving of the bludgeoning reserved for traitors. With their latest release, Plans Death Cab stick to what they do best as … Read more
The members of Death Cab For Cutie equal far more than the sum of their parts; this much has been evident since a small, unknown label from Seattle named Barsuk released Something About Airplanes back in 1999. In the four years since that record, the band has released three 7" singles, two EPs, four full-lengths, and one compilation of singles, … Read more
So long, 1979. D.F.A. are back without the tag and without the chronological baggage that came along with their previous album, 2014's The Physical World. A ten year gap between that and their debut album was a hard thing to overcome, expectations wise. And Physical, while a very welcome return just felt slightly underwhelming, despite burners like "Right On, Frankenstein!" … Read more
For a time in the mid- to late-2000s, it seemed as if Canadian drum and bass duo Death from Above 1979 might go the way of Neutral Milk Hotel and disappear right at the height of their popularity. Coming off their exhilarating and slightly raunchy 2004 album You’re a Woman, I’m a Machine which seemed to pop up at just … Read more
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