Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more
I ramble, at length, about basically everything. Word limits fear me. My friends dnf my texts. I think I may have single handedly crashed Twitter. Straight to the point, I am not. However, in the spirit of things, I’m going to dive right in. Who Let The Dogs Out is Lambrini Girls’ first full length album. 11 tracks, 29 minutes, … Read more
Li Jianhong's philosophy surpasses the direct relationship of a musician with their instrument of choice. Instead, Li has advocated for Environment Improvisation, where the urge to create and improvise is established by the artist's surroundings. Looking at Li's website you can find numerous instances that inspired him to settle down and start improvising, drawing energy from the surroundings. The music … Read more
Lutheran Heat have one of my favorite band names, a distinctly Minnesota tongue-in-cheek nod to local culture and mannerisms. But while I dig the band name, that's not really relevant to the rest of this review. Hi Again is their first record in 9 years, but it continues their garagey indie-punk tones. Expect garage rock guitar tones, slacker indie rock … Read more
Theatre Of Shame is the third LP from Bay Area band Middle-Aged Queers, a band whose moniker definitely gives away the plot. The band celebrates community with party punk songs like "Glizzies Banging" and "Pajama Party," but it also has pointed political commentary about the dangers of a bigoted society. In equal parts, Theatre Of Shame is about celebration and … Read more
The debut album from Florida punk band Miller Lowlifes features a vintage baseball theme, best enjoyed with a can of cheap domestic beer in hand. The metaphor fits, as Pinch Hitters focuses on the American dream -- and where it stands in 2025. The vintage educational TV audio clips add to this past-meets-present theme. It's an album that's equally about … Read more
Osmium brings together four artistic heavyweights, united not just by a shared experimental ethos, but by a love of bespoke and often self-made instruments. On their debut record, Hildur Guðnadóttir harnesses the unstable feedback of the halldorophone, a cello-like instrument designed by Halldór Úlfarsson. James Ginzburg (emptyset) contributes tamboura-like drones using a monocord of his own design. Sam Slater operates … Read more
Painkiller sees three absolute masters of extreme music join forces. John Zorn of Naked City and a billion other projects, Mick Harris who transcended from Napalm Death drummer to illbient guru with Scorn, and producer extraordinaire Bill Laswell. Their first two records, Guts of a Virgin and Buried Secrets are strange meditations traversing between free-jazz, grindcore and dub. Still hungry … Read more
Painkiller, the trio of John Zorn, Bill Laswell, and Mick Harris shows no signs of slowing down. The Great God Pan is their third full-length, since their reunion in 2024, and in many ways it is an unexpected offering. In keeping with their interests in the metaphysical realm, Painkiller find inspiration from the famed Arthur Machen horror novella. Here, the … Read more
I had a hard time starting this review. I can’t help coming back to the fact that it sounds like Marked Men. It does, maybe intentionally so, as Dilated is the second of Personality Cult’s albums that is produced by Jeff Burke of Marked Men and Radioactivity. But I don’t necessarily like to say a band sounds like another band … Read more
Pretty Bitter is a 5-piece band originating in 2017 and hailing from Washington, D.C. It was formed by Mel Bleker (lead vocals) and Miri Tyler (bass/vocals). Their second full-length titled Pleaser was released on July 25th of this year on Tiny Engines. And what a throwback feel this album gives! If this band and album came out in the early … Read more
The Raging Nathans are a unique band. They play '90s influenced punk that checks a ton of familiar boxes. It will appeal to fans of the old "EpiFat" sound, as it's been pejoratively called... but they seamlessly add a new element of emotion that's often carries blunt, harsh and personal emotional truths in their songs. Sometimes it's subtle, but usually … Read more
Rodeo Boys play in the punk circuit but there's so much going on in their music. I'll broadly summarize it as guitar music. This description, of course, might be biased from my first impression when I caught the last 5 minutes of a set at Fest which was basically just Tiff Hannay shredding on the floor in an impressive close … Read more
Best thing about writing reviews is finding out about new stuff that I otherwise might not have heard. Also writing reviews for bands that aren’t friends of mine is pretty cool but when I hear a band I really like, like Sex Faces, it makes me want to be friends with them, I can't help it! I’m not even halfway … Read more
You can always tell when a band contains seasoned musicians. They give off a different aura through their music and it sounds complete. It just meshes better. The songwriting is well done, the vocal melodies are catchy, and the transitions from verses, choruses, and bridges are complex but accessible. That is the case with this band. Let me introduce you … Read more
Spark Of Life hails from LA and has been around since the early 2000s. Their debut album dropped in 2003, but it took almost two decades to drop their newest album titled Plagued by the Human Condition. This album was released through New Age Records out of southern California, and it is worth checking out. If you’re familiar with New … Read more
Press release says this came out May 30th so I’m even more behind than usual… Blame summer! I did get an advance download which instantly caught my attention and I’ve listened many times since then. The guitars are shredding. The quick turn around in the chord progression from “Hey You” could or may have inspired Greg Ginn on the early … Read more
Dear Beths, Congratulations on the new release. I’ve been reflecting on our relationship and, as I’ve recently started to write about music again, have been asked to share my thoughts with you. First and foremost, I want to say that this isn’t easy for me. I cherish your album Future Me Hates Me from 2018. The title track alone is … Read more
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