Face Yourself
Fury
Sumerian (2025)
Face Yourself is a transcontinental deathcore force that has been around since 2023. It’s amazing to me that their members are spread out from Colorado, New York, New Jersey, and France. I can barely get friends in the same town as me to hang out. The band isn’t afraid to drop EP after EP with singles constantly thus offering deathcore … Read more
Faulty Cognitions
They Promised Us Heaven
Dead Broke Records (2025)
On their debut, Somehow, We Are Here, Faulty Cognitions made their statement. This wasn't a garage-punk band in the style of the members' previous bands (Low Culture and Shang-A-Lang, among others). It's a guitar-first rock indie-punk band schooled by the college rock of the 1980s. This time around the transition has been so seamless that maybe the debut was a … Read more
FVRMN
Suicides
Steadfast Records, Sweet Cheetah Records (2025)
Calling themselves "Fevermooon," FVRMN is led by J Holmes and Suicides is the second album in as many years. In a broad summary, I thought Back To The Whip was like a drawn out Leatherface or Jawbreaker record. Similar gruff vocals, personal lyrics, but paced with slower tempos and longer songs. Jumping to the present, Suicides has captured the tone … Read more
Golden Shitters
Brutal Planet
Ugly Pop (2025)
People in the indie punk scene in Canada can usually be linked by six degrees of separation. I’ve never met Golden Shitter guitarist Matt Ellis IRL but I became acquainted with him when he played in the short lived Plastic Heads with Jon Sharron. Having played with everyone from Chokehold to Brutal Knights, along with the criminally underrated Valley Boys, … Read more
Gus Baldwin & The Sketch
The Sketch
Permanent Teeth (2025)
When The Sketch opens, I find myself quickly thinking of “Got The Time” by Joe Jackson. For the most part, that comparison fades by the time the power chords kick in at 10 seconds, but I also bring it up because (at least in my mind) that’s a classic track that doesn’t get enough fanfare. No artist wants constant “sounds … Read more
Heather The Jerk
Very Motorcycle EP
Goodbye Boozy (2025)
Heather The Jerk is a project from Madison, WI musician Heather Sawyer -- a scrappy punk band with garage and pop influences running rampant through the peppy, raw sound. This 4-song EP is called Very Motorcycle, released about a year after the Not Very Motorcycle tape. I have no idea what the phrase means, yet it sets a distinct mood. … Read more
Home Front
Watch It Die
La Vida Es Un Mus Discos Punk (2025)
There's a song on Watch It Die called "Dancing With Anxiety," a title that wraps up Home Front's style quite well. Because I like to beat metaphors to a pulp, maybe also consider "Between The Waves" as another title that captures how they straddle the punk and new wave worlds. Home Front plays street punk with a lot of synth … Read more
Huma Utku
Dracones
Editions Mego (2025)
Huma Utku is an explorer. From her early days under the R.A.N (Roads at Night) moniker, she displayed a deep appreciation for experimental electronic music. From the outset, Utku wove together dark ambient motifs, industrial themes, and post-club abstraction into a minimalist yet holistic vision. Since adopting her own name, that same sonic excavation has continued, with a sharpened focus … Read more
Imperial Domain
Portentum
Wormhole Death (2025)
Formed in 1995, Imperial Domain cut their teeth in the Swedish death metal underground with early demos before dropping In the Ashes of the Fallen (1998) and The Ordeal (2003). After the 2014 death of original vocalist, Tobias Heideman, Imperial Domain could’ve folded into the past like so many of their era. Instead, they came back swinging. The band returned … Read more
Imploders
Targeted For Termination
Neon Taste Records, Static Shock Records (2025)
Back in or around 2007 my buddy Jake invited me to a show, I’m not even sure he told me who was playing or if he did I hadn’t heard of them yet anyway. Turns out it was Toronto’s Career Suicide who were on tour with Regulations from Sweden. Both bands fucking ripped and I still remember being pretty blown … Read more
Jason Paul + The Know It Alls
I'm Absolutely Terrified
Independent (2025)
I'd call Jason Paul + The Know It Alls happy punk except, well, it ain't. The lyrics are somber and thoughtful, yet the tone and melodies are uplifting and that's what I go by. I'd also call it San Pedro chill punk, as it has some similar elements to other bands from the area while maintaining a go-with-the-flow kind of … Read more
Kreiviskai
Motinai
Infinite Fog Productions (2025)
Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more
La Dispute
No One Was Driving The Car
Epitaph (2025)
Occasionally bands will surpass being musicians and become artists. La Dispute aren’t making music. They’re making art. The band returns after six years with their self-produced 14 track, full-length, No One Was Driving The Car. It was neat how they launched this album through songs grouped in “acts” via a staggered rollout of EPs before the full drop. The album … Read more
Lambrini Girls
Who Let The Dogs Out
City Slang (2025)
I ramble, at length, about basically everything. Word limits fear me. My friends dnf my texts. I think I may have single handedly crashed Twitter. Straight to the point, I am not. However, in the spirit of things, I’m going to dive right in. Who Let The Dogs Out is Lambrini Girls’ first full length album. 11 tracks, 29 minutes, … Read more
Li Jianhong
Shuttle Raven of the Dream
Utech (2025)
Li Jianhong's philosophy surpasses the direct relationship of a musician with their instrument of choice. Instead, Li has advocated for Environment Improvisation, where the urge to create and improvise is established by the artist's surroundings. Looking at Li's website you can find numerous instances that inspired him to settle down and start improvising, drawing energy from the surroundings. The music … Read more
Lutheran Heat
Hi Again
Pinata Records (2025)
Lutheran Heat have one of my favorite band names, a distinctly Minnesota tongue-in-cheek nod to local culture and mannerisms. But while I dig the band name, that's not really relevant to the rest of this review. Hi Again is their first record in 9 years, but it continues their garagey indie-punk tones. Expect garage rock guitar tones, slacker indie rock … Read more
Menace Ruine
The Color of the Grave Is Green
Union Finale Records (2025)
One of the most unique voices in extreme music, Menace Ruine stand out in their sonic evolution. The duo of Geneviève Beaulieu and Steve de la Moth started out in a raw, uncompromising fashion, merging black metal and industrial to create absolute havoc in Cult of Ruins and The Die is Cast. In the coming years, they would expand this … Read more
Middle-Aged Queers
Theatre of Shame
Engineer Records, Sell The Heart Records (2025)
Theatre Of Shame is the third LP from Bay Area band Middle-Aged Queers, a band whose moniker definitely gives away the plot. The band celebrates community with party punk songs like "Glizzies Banging" and "Pajama Party," but it also has pointed political commentary about the dangers of a bigoted society. In equal parts, Theatre Of Shame is about celebration and … Read more
