Review
Clad In Darkness
Decathect

Independent (2014) Cheryl

Clad In Darkness – Decathect cover artwork
Clad In Darkness – Decathect — Independent, 2014

Good things come to those who wait. It's a cliché, yes, but for Clad in Darkness that old adage rings wholly true. Having formed at least fifteen years ago, the band have taken their sweet, sweet time in releasing their debut record. A couple of EPs have seen the light but for this Chicago based band, a full length was a long time coming. Decathect is worth that extended wait and while a few of the songs on the album have been kicking about in some form or other - "Revelries and Silence" from Amidst Her Shadows or "Nepenthe" which is often played live - Clad in Darkness have brought a freshness to the music that allows those songs to weave into the fabric of the record and be at one with newer material. 

"Foreword" steps from a gorgeous instrumental to a harshly rendered vocal which lifts the track into more interesting territory. Echoing and sorrowful guitar leads lace the song with a melancholy that is ripped through the atmosphere by destructive screams and guttural growls, playing off the beauty of the music and contrasting the two sides of the band in one swift movement. Clad in Darkness are essentially a black metal band but they utilise bittersweet melodies and post-rock shimmers to create a sense of wonder and ethereal nuance in order to stand them apart from other USBM acts. 

Decathect works both as a record and as a theme, with the band using the word to evoke the emotions that run through the album. Meaning to distance oneself from a person, or object, in anticipation of them no longer being there in the future, the band thread those feelings through their words. In "Revelries and Silence" they speak of lost love while "Nepenthe" talks of goodbyes and it seems that Clad in Darkness have here a record that is fundamentally, all about love and the tribulations that it throws at us. It's unusual for a black metal band to be so open and honest and the narrative feels extremely personal. It's a stark change from blokes in Norway shouting about Satan in caves, but that's the magic of the evolution of the genre. 

"Nepenthe" allows the music to build its aura around incandescent guitar lines that soar and sweep over the track with grace before breaking free of its serenity and bursting into staccato lyrics and a fired passion that breathes life into the surrounding air. "Deluge" again builds the sounds and atmospheres before turning to the frenetic pace of "Forestall" and ramping the mood ever further towards despair. "Unrest" closes out Decathect on gorgeous waves of guitar, all ambient gazes and harmonic twists while the song reaches for the end. It's beautiful and it's sad and of course it's affecting. The pulling away from the one thing you love because you know it won't last, for whatever reason, is evident in this final track. It takes its time to get there in slightly hesitant movements before becoming stronger and able to overcome - a calmness settles over the track before the storm arrives and Clad in Darkness take their anger to new heights. The softness of the closing moments show that they're working through the emotions that have been so prominent in the work and finding an inner peace in order to move forwards. It's truly wonderful. 

8.0 / 10Cheryl • July 1, 2014

Clad In Darkness – Decathect cover artwork
Clad In Darkness – Decathect — Independent, 2014

Recently-posted album reviews

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more