Review
Coliseum / Doomriders
Not of This World

Level Plane (2005) Bob

Coliseum / Doomriders – Not of This World cover artwork
Coliseum / Doomriders – Not of This World — Level Plane, 2005

At a recent Coliseum show, vocalist/guitarist Ryan Patterson made mention that Glenn Danzig was a big influence and source of inspiration for him for years. On Not of This World both Coliseum and Doomriders pay tribute to that man. Although short by most standards, this split EP packs enough of a wallop that it shames a majority of the full-lengths that have come out lately.

Coliseum kick off Not of This World with a roaring rendition of Danzig's 'Am I Demon.' Doing justice to the song with their Black Flag meets Motorhead bulldozing sound, Coliseum shirks the normal covers from Glenn Danzig's material by reinterpreting a song from the Danzig repertoire instead of a song from the more revered Misfits or Samhain canon. They follow this blazing opening track with two quick originals. 'American Machine' is a venomous song that lashes out against the practice and perpetuation of the United States' version of capitalism and the choices that an individual makes in regards to that economic ideology. The music for the song effectively matches the hurled lyrical invective. The other original, 'Ride on Death Riders,' is a great song that effectively intimates the visual imagery that Patterson has created for the band on their earlier releases. If ever a band created a theme song for themselves, this might be a shining example for just that. Ultimately both of these songs seem to be about the choices that individuals can make.

Doomriders has the second half the record well in hand as they start their set with a noisy, righteous racket that continues the skate rock smashed into Thin Lizzy meets heavy duty elements heard on their full-length Black Thunder. The Misfits influenced 'horror' lyrics are particularly evident as Doomriders really throws down the gauntlet for pretenders to that crown, quite possibly because they are so tongue in cheek. They close the EP with a great bookend cover of "Possession." They too go with a Danzig song instead of the more obvious Misfits or Samhain one. Vocally it is closer to the original version than the way that Coliseum handles their cover, but it still maintains the vocal feel that Doomriders normally maintains.

A worthwhile EP, Not of This World has an extremely fun vibe to it. It would be more fitting as a 7' (which is due out on Auxiliary Records sometime in the near future), but here in the CD format anyone can get it instead of just us pretentious vinyl fiends. Anyone who digs either of these two bands will enjoy this record immensely.

7.5 / 10Bob • November 10, 2005

Coliseum / Doomriders – Not of This World cover artwork
Coliseum / Doomriders – Not of This World — Level Plane, 2005

Related news

Coliseum/Doomriders Danzig trib will be reborn

Posted in Records on October 20, 2016

Coliseum / Doomriders Split Release

Posted in Records on August 30, 2005

Recently-posted album reviews

The Phase Problem

The Power Of Positive Thinking
Brassneck Records (2024)

I spent a good part of the late ‘90s annoyed at the abundance of Ramonescore. I’ll stand by my word: many of the bands of that era were carbon copies that didn’t bring anything new to the format. But time has passed and what was overdone is now a refreshing change of pace. For whatever reason, when I hear a … Read more

Totally Slow

The Darkness Intercepts
Refresh Records (2024)

I find Totally Slow a hard band to categorize. Their brand of melodic, hard punk is familiar and comforting -- rooted in ‘80s hardcore, ‘90s skatepunk, and post-something guitar-driven rock. The press release namedrops Dag Nasty and Hot Snakes, among others, which I think are good starting points. But while it’s familiar, it’s absolutely not a carbon copy. Like their forebearers, the songs … Read more

Steamachine

City of Death
Records Workshop (2023)

City Of Death is the third album from Polish noise makers Steamachine. Having dabbled in a few metal styles over their career, City Of Death has a heavy carnival influence to it which I have to say I really like. It's interesting just how much more sinister things sound when you pump eerie, jingly circus sounds amongst very dark, heavy, … Read more