Review
Combichrist
What the Fuck is Wrong With You People?

Metropolis (2007) Jenny

Combichrist – What the Fuck is Wrong With You People? cover artwork
Combichrist – What the Fuck is Wrong With You People? — Metropolis, 2007

Andy LaPlegua is a man of many talents. He's tried his hand at everything from hip-hop to metal, from industrial to hardcore, from punk to trance. After forming the now highly successful Icon of Coil in 1997, LaPlegua has gone on to establish three side-projects, each equally successful in their own right. Among these is aggrotech group Combichrist, whose accomplishments include crashing their way into the Billboard Dance top five chart, impressive for a band of their ilk. The yin to Icon of Coil's yang, Combichrist make power-noise, heavy on distortion and even heavier on aggression - not a great surprise, with album titles like Everybody Hates You. Two years on from Everybody Hates You and LaPlegua is back with another cheerily titled full-length: What the Fuck is Wrong With You People?

'Listen, you fucking cunt' commands the intro, and listen you shall. It's difficult to do anything but. What the Fuck is Wrong With You People? is in your face from the word go. There's nothing melodious about what's on offer here. I imagine that if robots had raves - held in the still-churning bowels of rusting industrial factories - this is what they'd sound like. There's mechanical precision in every beat. "Adult Content" sounds like an automated production line: hammers striking, drill-bits whirring, pistons pumping, steam hissing. "Brain Bypass" is like experiencing the first 'waking' moments of a glitching android, with its bizarre stuttered sampling on the hyper-efficiency of robots and, confusingly, the destructive effects of cocaine. You just have to look at the track titles to see the man-machine connection. The lyrics follow accordingly, all primitive, violent and sexual - particularly on tracks like "Give Head if You got it".

"Deathbed" descends deeper into the depraved darkness, with some gothic synths and background screeches that sound - appropriately - like mechanized death rattles. "In the Pit" has a bit of a Pretty Hate Machine vibe, and like "Deathbed" uses LaPlegua's undistorted voice - which is sadly not quite as impressive or punchy as the stop-start chopped vocals on tracks like "Electrohead" and "Are You Connected".

Formed to sit at the opposite end of the electronic spectrum to Icon of Coil, it's to be expected that Combichrist shouldn't be so dance floor friendly. There are still moments of club-friendly excellence, however for every one of these tracks there's another that is neither potential club hit nor power-noise assault, stuck in some ungainly middle ground. In spite of this, things end on a high note with "All Your Bass Belong to Us", which sounds like something out of The Crystal Method's discography. Overall, minor grievances and a few dud tracks aside, What the Fuck is Wrong With You People? is a pretty decent album and would be an excellent addition to any electro/industrial record collection.

Similar Sounds: Panzer AG - This is My Battlefield, KMFDM - Nihil, Suicide Commando - Axis of Evil, Static-X - Wisconsin Death Trip.

6.9 / 10Jenny • March 13, 2007

Combichrist – What the Fuck is Wrong With You People? cover artwork
Combichrist – What the Fuck is Wrong With You People? — Metropolis, 2007

Recently-posted album reviews

The Arrivals

Payload
Recess (2026)

It's been a short lifetime since the last Arrivals record, Volatile Molotov, but in many ways the new Payload picks up exactly where the last one left off. It straddles the mid-tempo punk spectrum while drawing influence from seemingly all realms of the rock 'n' roll cannon. I'd state that mod, power-pop, Brit Invasion, and even R&B are some of … Read more

UDDER

Self Titled
Depose Records (2025)

Some records feel like they were carefully constructed. Others feel like they were barely contained. Udder’s three-song 7” on Depose Records lands firmly in the second category with a short, strange burst of psych-leaning noise rock that feels less like a statement and more like something unearthed. That’s not far from the truth either. Originally formed in the early ’90s … Read more

Various Artists

Louder Than You Think: A Lo-Fi History of Gary Young & Pavement (Original Motion Picture Soundtrack)
Independent (2026)

Gary Young wasn’t just a drummer; he was a beautiful, unpredictable glitch poking a hole in the sky where other lovable misfits could enter and leave this universe they’d grace with their presence. While Hendrix kissed the sky, Young merely bit a hole right through it. While Pavement was busy inventing the 1990s slacker blueprint for the masses, Gary was … Read more