Review
Combichrist
What the Fuck is Wrong With You People?

Metropolis (2007) Jenny

Combichrist – What the Fuck is Wrong With You People? cover artwork
Combichrist – What the Fuck is Wrong With You People? — Metropolis, 2007

Andy LaPlegua is a man of many talents. He's tried his hand at everything from hip-hop to metal, from industrial to hardcore, from punk to trance. After forming the now highly successful Icon of Coil in 1997, LaPlegua has gone on to establish three side-projects, each equally successful in their own right. Among these is aggrotech group Combichrist, whose accomplishments include crashing their way into the Billboard Dance top five chart, impressive for a band of their ilk. The yin to Icon of Coil's yang, Combichrist make power-noise, heavy on distortion and even heavier on aggression - not a great surprise, with album titles like Everybody Hates You. Two years on from Everybody Hates You and LaPlegua is back with another cheerily titled full-length: What the Fuck is Wrong With You People?

'Listen, you fucking cunt' commands the intro, and listen you shall. It's difficult to do anything but. What the Fuck is Wrong With You People? is in your face from the word go. There's nothing melodious about what's on offer here. I imagine that if robots had raves - held in the still-churning bowels of rusting industrial factories - this is what they'd sound like. There's mechanical precision in every beat. "Adult Content" sounds like an automated production line: hammers striking, drill-bits whirring, pistons pumping, steam hissing. "Brain Bypass" is like experiencing the first 'waking' moments of a glitching android, with its bizarre stuttered sampling on the hyper-efficiency of robots and, confusingly, the destructive effects of cocaine. You just have to look at the track titles to see the man-machine connection. The lyrics follow accordingly, all primitive, violent and sexual - particularly on tracks like "Give Head if You got it".

"Deathbed" descends deeper into the depraved darkness, with some gothic synths and background screeches that sound - appropriately - like mechanized death rattles. "In the Pit" has a bit of a Pretty Hate Machine vibe, and like "Deathbed" uses LaPlegua's undistorted voice - which is sadly not quite as impressive or punchy as the stop-start chopped vocals on tracks like "Electrohead" and "Are You Connected".

Formed to sit at the opposite end of the electronic spectrum to Icon of Coil, it's to be expected that Combichrist shouldn't be so dance floor friendly. There are still moments of club-friendly excellence, however for every one of these tracks there's another that is neither potential club hit nor power-noise assault, stuck in some ungainly middle ground. In spite of this, things end on a high note with "All Your Bass Belong to Us", which sounds like something out of The Crystal Method's discography. Overall, minor grievances and a few dud tracks aside, What the Fuck is Wrong With You People? is a pretty decent album and would be an excellent addition to any electro/industrial record collection.

Similar Sounds: Panzer AG - This is My Battlefield, KMFDM - Nihil, Suicide Commando - Axis of Evil, Static-X - Wisconsin Death Trip.

6.9 / 10Jenny • March 13, 2007

Combichrist – What the Fuck is Wrong With You People? cover artwork
Combichrist – What the Fuck is Wrong With You People? — Metropolis, 2007

Recently-posted album reviews

Cel Ray

Cel Rayzer
Exploding In Sound Records (2026)

I don’t remember how, but I stumbled across Chicago’s Cel Ray in 2023 on the heels of their debut EP, Cellular Raymond. I was immediately hooked. After another EP and a single, the band finally brings us their debut long player, Cel Rayzer. To no surprise, it’s excellent. Cel Ray plays a brand of post-punk that’s lo-fi and streamlined. Singer … Read more

Bevis Frond

Horrorful Heights
Fire Records (2026)

God loves Nick Saloman, and from the heavens, the expulsion of the beloved archangel fell and spawned Horrorful Heights. A 20-track double-album behemoth. Eighty-eight minutes of musical mayhem. Who does that anymore? nobody. As they edit themselves down to make nice, safe Spotify playlists, Nick just dumps the whole glorious attic on your head like the wicked witch of the … Read more

Nine Pound Hammer

Too Outlaw For Outlaw Country
Reptilian Records (2026)

For nearly forty years, Nine Pound Hammer have occupied a strange corner of American music that very few bands have ever managed to touch. They're too loud for traditional country, too country for most punk bands, too dirty for radio rock, and frankly too stubborn to care where anyone thinks they belong. That's exactly why Too Outlaw For Outlaw Country … Read more