Review / 200 Words Or Less
Crutches
Såld

Distro-y Records (2017) Dennis

Crutches – Såld cover artwork
Crutches – Såld — Distro-y Records, 2017

Crutches strike again by doing what they do best. Playing d-takt, mangel or crust or whatever you want to call it. 2015 saw the release of FörlOrAD getting praised for its rawness whilst not forgetting to write actual songs. After that Eddie joined the band on guitar, but this didn’t really change the sound. Never change a winning team they must have thought, and I tend to agree with them. 

This is the kind of music that leaves no room for nuance. It’s all full blast ahead all of the time. Mind you, about half the album has that classic d-beat rhythm, so don’t expect grindcore blasting on here. This rhythm doubles the impact of these songs, so it’s well applied. Såld is a 22 minute assault on the ears, but after it’s finished I can’t help myself and push play again. The 11 tracks are written smart enough to remain interesting and there’s a little bit of diversity offered. An example are the extra vocalists that appear on the album. The production is fitting for the style. It's a little rough around the edges, but hits hard. Very hard. And that's just how it should be. 

I’ve struggled to work on a much, much longer review, but decided not to write too much about Såld. The message is short like the album: if you’re into this type of music, check this out, you’ll love it. Crutches are at the top of their game and deserve your attention. Trust me on this one!

8.5 / 10Dennis • September 11, 2017

Crutches – Såld cover artwork
Crutches – Såld — Distro-y Records, 2017

Recently-posted album reviews

Nicole Alexis

Mirrors & Smoke
Independent (2026)

There’s a fine line between stripped down music and so stripped back that is sounds empty. On Mirrors and Smoke, Nicole Alexis lands comfortably on the right side of that line, delivering a debut EP that leans into simplicity without losing its emotional weight. Built around acoustic arrangements and minimal production, the EP feels intentionally close. It feels like these … Read more

The Remote Controls

Too Tough
Fail Harmonic Records, Mom’s Basement Records (2025)

There’s a certain kind of punk band that doesn’t overthink things. No reinvention, no genre-bending manifesto, just fast songs, big hooks, and enough attitude to carry it all. Indianapolis’ The Remote Controls lean hard into that tradition on Too Tough, a record that feels less like a statement and more like a well-earned victory lap. Built on a steady diet … Read more

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more