Review / 200 Words Or Less
Deadly Reign
Slave

Profane Existence (2013) Nathan G. O'Brien

Deadly Reign – Slave cover artwork
Deadly Reign – Slave — Profane Existence, 2013

Deadly Reign is a three-piece punk unit based in Austin, TX. They are a fairly new band (not to be confused with the ‘80s Cali band of the same name) but play with the skill and poise of a veteran group. And not surprisingly so, as they are comprised of members of crust luminaries like World Burns to Death, Scarred For Life, Kontraklase, Kegcharge,and Century Of War. They play a Portland-by-way-of-Scandinavia strain of D-beat. Slave is their new 7” and the fifth selection from the Profane Existence Limited Edition Single Series. 

The three songs here—“Employment of Slaves”, “Suffer" and "Sinister Minds”—are tonally deep, entrenched in modern-day crust, and very well-produced. The drums on this EP are awesome; driving and fervent. Meanwhile the bass and guitars are so slick that they come across a little too deliberate at times. Especially for a genre that is transmitted best with an air of hasty abandoned. This isn’t on the chaotic noise end of the D-beat spectrum like, say Nö Pöwer or Mauser. Rather it’s very clean and polished, in the “epic” style typical of acts like Wolfbrigade or Passiv Dödshjälp. 

As to be expected, there is a heavy sociopolitical aspect in the lyrics and imagery. The lyrics center on topics such as worker’s rights and system injustice. The cover work shows a pair of hands chained together set against an aerial view of industrious smokestacks and a power plant-like compound. The vinyl comes in four different colors—blue, white, clear, and regular old black. Although I probably wouldn’t have sought this out on my own, I am still pleasantly surprised. It’s a pretty solid release and an excellent inclusion in what has already been a fairly eclectic PE single series.

Deadly Reign – Slave cover artwork
Deadly Reign – Slave — Profane Existence, 2013

Related news

Recently-posted album reviews

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more