Review
Eddie Spaghetti
The Value of Nothing

Bloodshot (2013) Loren

Eddie Spaghetti – The Value of Nothing cover artwork
Eddie Spaghetti – The Value of Nothing — Bloodshot, 2013

For Eddie Spaghetti’s third solo LP, he’s taken a moment to quiet it down and get introspective while seeking answers to life’s big questions: meaty topics such as “If Anyone’s Got the Balls” and just who is “Fuckin’ with My Head.” Or, in other words, his solo work may be a separate project from Supersuckers, but the content doesn’t stray too far away from his previously established boundaries.

The real standout comes in the form of “Waste of Time,” a swinging country-jam that morphs into country-rock by song’s end. It’s both an apt metaphor for the overall record’s sound, a fitting one for host label Bloodshot, and a song that fits Spaghetti’s general mantra:

I thought that I might
then I said, fuck it…
pour another glass of wine
it’s a waste of time

The sound is quieter than Supersuckers, but this is not a somber, acoustic guitar record. It’s a toned down Supersuckers with Spaghetti’s voice and delivery carrying more of the melodic sway in place of the hard rock/metal guitars employed by his full-time band. Accompaniment here comes in form of electric and acoustic guitar, steel pedal, and instrumentation more typically used with country, even if the tone here is down’n’dirty rock’n’roll. It’s a hybrid beast, country and rock, but without wasting all the hyphens.

Spaghetti mixes up the style well throughout The Value of Nothing. “People Are Shit” sounds like carnival music, a honky-tonk anthem for kicking around a skuzzy county fair with warm lager in hand, and follow-up “One Man Job” carries a distinct Willie Nelson influence, with a storytelling narrative overlaid with laid back melodic vocals, and is likely a product of producer Jesse Dayton, who has worked with several noted country artists (including Nelson) over his career and even makes a cameo himself in the song. “Got a Secret” has that rambling, man-of-the-road feel of the American Southwest. “When I Go, I’m Gone” is a wave your lighter in the air ballad to the refrain of “When I go I’m gone/ life ain’t too short/ it’s too long.”

So while Spaghetti pulls from many styles, the heart of The Value of Nothing remains in tune with his catalog. They’re songs of a renegade with a guitar, a dude who pulls up, parks his truck, plays a few songs and drinks a few more beers (and shots), leaving a trail of dust and some catchy tunes stuck in your head, and maybe a few broken items that got in his path.

7.0 / 10Loren • September 2, 2013

Eddie Spaghetti – The Value of Nothing cover artwork
Eddie Spaghetti – The Value of Nothing — Bloodshot, 2013

Related features

Eddie Spaghetti

One Question Interviews • January 23, 2014

Guest Column: Eddie Spaghetti (Supersuckers): Part 4

Regular Columns / Remember that one time...? • September 2, 2013

Guest Column: Eddie Spaghetti (Supersuckers): Part 3

Regular Columns / Remember that one time...? • July 29, 2013

Related news

Supersuckers + Streetwalkin' Cheetahs

Posted in Records on September 24, 2021

Eddie Spaghetti solo in Australia

Posted in Tours on July 15, 2018

1QI: Supersuckers, Gehenna, Divider, Asgeir & Mo

Posted in Bands on January 1, 2014

Recently-posted album reviews

Generacion Suicida

Hombre Nuevo
Vitriol (2026)

On the tail end of Autogramm’s 2018 tour of Mexico (what little I remember of that week now is a lot of pulque and not a lot of sleep) I visited the one punk record store in CDMX that I found via googling where to buy bootleg punk t-shirts. I’d already visited Venas Rotas Discos earlier on the trip and … Read more

Karen Dió

Fugaz
Hopeless (2026)

Six songs. That's all Karen Dió needs on this EP. Considering the title translates roughly to fleeting, brief, or transient in Portuguese, maybe that's exactly the point. Dió's second EP doesn't hang around long enough to overstay its welcome. It arrives, makes a hell of a lot of noise, throws some gigantic hooks at you, and disappears. But there's considerably … Read more

Real Numbers

Was It Always This Way
Slumberland Records (2026)

I feel like this may be the first 12", 10-song release in my collection from Real Numbers, a dreampop meets jangle-indie rock band from Minneapolis. I'm not going to fact check my statement, because I mean it as a metaphor. Real Numbers play exactly what you'd expect based on my short description so far, but there's always something just a … Read more