Review
Emma Ruth Rundle
On Dark Horses

Sargent House (2018) Cheryl

Emma Ruth Rundle – On Dark Horses cover artwork
Emma Ruth Rundle – On Dark Horses — Sargent House, 2018

Where 2016's Marked for Death battled with Emma Ruth Rundle’s mortality and medical history, and allowed the artist to work through feelings of hopelessness and pain, On Dark Horses tries to take control of the shadows found in life. Instead of succumbing to the darkness, Rundle is now finding a path out of despair and using her music to piece together how that might happen. Her fourth solo record under her own name is still a lush, layered guitar fever dream but the lyrics show a stronger soul, a person who has found that there is light in even the hardest moments that life throws at you. 

“Darkhorse” is an echoing siren call; the words conjure images of cinematic scope and Rundle’s voice is a powerful instrument in itself. The fragility shows through imperfect cracks and emotion is wrought from every note. The haunting presence of the past stalks the two subjects of the song through gorgeous guitars and drums that gallop in with the beauty of shoegaze before “Races” steps back into itself and gives the blackness of the night the lead. On Dark Horses plays like a Western; at times speaking of great journeys, and in other moments taking on characters and their moral quandaries, and the starkness of the music calls to mind vast deserts and wastelands. 

“Light Song” introduces another voice to Emma Ruth Rundle’s sound with Jaye Jayle’s Evan Patterson giving a deep and menacing turn as the counterpoint to Emma’s narrator. His vocal lends the trippy vibrations of the song a sinister aura that must be overcome – a constant theme of On Dark Horses – and Rundle’s voice is overpowering at the end despite the delicate textures that are ever present. What may be seen as a weakness can actually be a strength, and on this record, Rundle often turns moments of hopelessness into moments of triumph. 

The final song “You Don’t Have to Cry” is a perfect example of not allowing the darkness to consume you, and where many of Emma's songs deal with her own pain or personal struggle, this final ode is for another and it’s subtle rhythms and transparent emotion show just how exquisite an artist Emma Ruth Rundle is. Everything is laid bare here, and whereas your own interpretation may differ from what is intended (I took it to be about the death of a close friend), it is still possible to find the light in the darkness. 

8.0 / 10Cheryl • November 12, 2018

Emma Ruth Rundle – On Dark Horses cover artwork
Emma Ruth Rundle – On Dark Horses — Sargent House, 2018

Related news

"Powerless" Emma Ruth Rundle

Posted in Records on June 6, 2026

ARCTANGENT Festival 2025 names 50 more

Posted in Shows on February 9, 2025

Converge with Fire in the Mountains Festival

Posted in Shows on November 23, 2024

Recently-posted album reviews

Alien Nosejob

How A Mosquito Operates
Anti Fade, Iron Lung (2026)

The one-man band of Alien Nosejob continues to crank out short, angry hardcore in quick bursts. I've lost count of how many records Jake Robertson has now released under the name. I'll just say that while the first couple took some direction changes, the project seems to have found its footing in 1980s-influenced hardcore. With 17 songs in 24 minutes, … Read more

Cancer Bats

Give Me Dirt
Marshall Amplification PLC, New Damage records (2026)

ALBUM HIGHLIGHTS – “Bright Eyes of Gold”, “Give Me Dirt”, “Long Tooth”, “Fools Like You” Almost exactly two years ago, on 8th August 2024, Cancer Bats played Conne Island in Leipzig – a choice they would live to regret. Unbeknownst to them at the time, the centre had slowly become renowned for its radical politics and, more recently, the ban … Read more

Tyler Sonnichsen

The Dead Milkmen
J-Card Press (2026)

When I saw The Dead Milkmen at Toronto’s Diamond Club back in the late 1980s, the floor was a volatile, beautiful mess of colliding subcultures. It was like different species of house flies bumping into one another, wondering what the hell you were doing in the mason jar. You had suburban high school pocket-pen-protector pencil-neck nubile nerds, college radio snobs … Read more