Review
Fake Problems
How Far Our Bodies Go

Sabot (2007) Scottie

Fake Problems – How Far Our Bodies Go cover artwork
Fake Problems – How Far Our Bodies Go — Sabot, 2007

The comparisons are going to be made so let's just get them out of the way right now. As Against Me! becomes the new Hot Water Music, Fake Problems might just become the new Against Me!. Maybe. Yes, Fake Problems hails from Florida, a few hours north of the aforementioned bands and yes, they take a no frills approach to punk rock while also relying on some very basic elements of folk. But after a few listens to their first full-length, How Far Our Bodies Go, it's easy to see how different they are.

While the earlier Against Me! takes a very political standpoint lyrically, Fake Problems stick to simple storytelling, sharing the ups and downs of their everyday life. While some of the songs on How Far Our Bodies Go do include political elements, they merely occur from the simple truth it's almost impossible to go through life being totally apolitical. A good example of this is the song "Born and Raised." Rather taking a firm stance on issues like the army or higher education, their vocalist simply admits those types of places just are not for him. While Fake Problems may not be stepping on any toes, they also acknowledge everyone's entitled to their own opinion. The band has effectively proven it isn't always bad to be middle of the road. But the lyrics don't stop there; How Far Our Bodies Go is a look at life in the big picture, how we spend our day to day and how that will affect our entire lives; quite astounding for such a young group of gentlemen.

Perhaps even more impressive than the lyrical insight, is the variance in music style present on the album. Taking a little bit of everything that's good and right about country-western music and mixing it with elements of punk and early Elvis Costello-era rock and roll, How Far Our Bodies Go is thirty-five minutes of feel good music that constantly stays fresh and inventive without falling into the simple chord progression pitfalls that many punk bands face. The album opens up with a few rowdy numbers more punk than anything but subtle elements that evoke the spirit of the Americana by the use of horns, acoustic guitars and a gentle touch of violin. As the album makes its way towards its midpoint, the overall pace settles just a bit, instead using a tactic of both loud and soft parts creating not exactly, but in essence the tone of a ballad. As the album closes is settles even more, with a few sincere numbers about lost loves and lamenting over all the curveballs life throws.

For an album just over a half an hour, Fake Problems covers an immense amount of ground both lyrically and musically while never accepting to rely on standard conventions in music. They have proven that when you really push yourself there's no telling just How Far Our Bodies Go.

8.5 / 10Scottie • July 8, 2007

Fake Problems – How Far Our Bodies Go cover artwork
Fake Problems – How Far Our Bodies Go — Sabot, 2007

Related features

Fake Problems

One Question Interviews • August 22, 2014

Related news

A Wilhelm Scream added to Fest 13

Posted in Shows on July 19, 2014

Recently-posted album reviews

Dream Fatigue

No Requiem
Daze (2026)

There’s a particular tension that makes alternative rock compelling. I love the emotional push and pull between softness and eruption. On No Requiem, Massachusetts outfit Dream Fatigue thrive in that space, crafting a seven song EP that balances dreamlike melody with bursts of distortion and emotional urgency. Born from the creative partnership between drummer Matt Wood and vocalist Jonali McFadden, … Read more

The Went Wrongs

This Isn't What I Ordered
Transcendental Revolution (2026)

I'm not sure what's happening to me in middle age. I used to find samples clever and a nice change-of-pace technique on albums. But lately I feel like they interrupt instead of compliment what I'm hearing. This Isn't What I Ordered starts off really strong with fast, melodic and personalized punk over the first few songs. Then the sound clips … Read more

Spillings

Spillings
The Garotte (2026)

Spillings is a minimalist reconfiguration undertaken by two artists whose careers have been about genre deconstruction. The paths of Mathieu Ball and Liam Andrews have been running on parallel tracks, but both have been aiming for a similar endpoint. That is to strip down the heavy, experimental rock form, while at the same time retaining its destabilizing core. With Big … Read more