Review
Forge Of Clouds
Self Titled

Independent (2011) Sarah

Forge Of Clouds – Self Titled cover artwork
Forge Of Clouds – Self Titled — Independent, 2011

I'd like to invite you to look at the cover art of Forge of Clouds for just a moment. This is one of the few times I've ever looked at a cover for an album and said to myself “Yes, this is exactly what this music sounds like.” Every detail of this Polish quartet's music is captured in this image—the heavy sludge, the atmospheric droning, the dark ambiance...this image perfectly conjures up the ferocity of Remission-era Mastodon with the songwriting sensibility of Isis during Oceanic.

In fact, one of the great strengths of this album is the band's obvious gift with writing interesting and enjoyable riffs and melodies. A lot of the tracks on this album are delightfully above average. “Queen on the Garbage Throne,” “Blind Run,” and “Shame” are all exemplary pieces of sludge metal. Even the weaker tracks on the album, like “Boot,” “151,” or “Epinephrine,” have redemptive moments that make them worth multiple listens. This album's chaff is better than most other bands' lead singles.

One thing that does irk me about this album is the treatment of the drum mix. All of the drums, particularly the snare, sound far away and removed from the recording. It sounds like, while the band was recording, the drums were playing in the next room over. While it is a legitimate stylistic choice, I can't say it works particularly effectively on this album. It even creeps into the lead guitars at times, causing an odd aural distortion that is difficult to mentally reconcile. You may find it atmospheric; I personally find it dreadfully annoying and feel that it diminishes the experience.

Somewhat sadly, the music itself isn't terribly original. This is all music we've heard before from the likes of Baroness, or Cult of Luna, or The Ocean Collective. While Forge of Clouds certainly perform capably and above the norm, they aren't exactly pushing any boundaries or thinking far outside the box. It's well-performed and recorded music, but it's not groundbreaking.

I'll happily admit: Forge of Clouds are a cut above a lot of the sludge metal we hear these days. Taking into account that this is a debut showing from an unsigned band, and that it is still available for free download, this album is a must-have for fans of sludge and post-metal. It doesn't approach the classics, but it is still a noticeably above-average.

6.0 / 10Sarah • November 14, 2011

Forge Of Clouds – Self Titled cover artwork
Forge Of Clouds – Self Titled — Independent, 2011

Recently-posted album reviews

Joyce Manor

I Used To Go To This Bar
Epitaph (2026)

Surely by now, you’ve heard their name. Joyce Manor have been writing soundtracks for heartbreaks and hangovers for nearly two decades now. They create short songs with their hearts on their sleeves, while sticking to that distinct Southern California mix of self-deprecation and sincerity. From the lo-fi charm of their 2011 debut to Never Hungover Again’s cult-classic status and the … Read more

La Luz

Extra! Extra!
Sub Pop (2026)

Formed in 2012, La Luz built their reputation on hypnotic surf-noir, eerie harmonies, and a uniquely supernatural warmth that made them one of Sub Pop’s most consistently compelling bands. Their 2024 full-length News of the Universe marked a major artistic shift. The sound became lush, cosmic, dust-covered, and produced by Maryam Qudus, whose work helped push the band into its … Read more

Dead Boys

Night Of The Living Dead Dolls
Cleopatra (2025)

Dead Boys, or should I say Dead Dolls (no, not those creepy little Dolls that were mass produced for wannabe Wednesdays). Johnny Blitz had just been stabbed on the streets of New York. A benefit was created to raise funds to help the fallen comrade, known as the Blitz benefit. Look it up, plebeians. Anyways cue in snot, attitude and … Read more