Review
Forgotten Tomb
...and Don't Deliver Us from Evil

Agonia (2012) Jon E.

Forgotten Tomb – ...and Don't Deliver Us from Evil cover artwork
Forgotten Tomb – ...and Don't Deliver Us from Evil — Agonia, 2012

The Italian boys of Forgotten Tomb are certainly not new kids to the black metal scene. The band, going strong since the turn of the century, has made a name by building its own little corner in the depressive black metal genre. With each record the band allows their emotions to show through a bit more and, in turn, it seems to allow more room for traditional melody lines. They have returned with their most recent release after probably one of the shorter breaks between full-lengths (nearly 6 months), managing to release both a split and an EP in that period. 

The band plays with melodic structures within each song, starting off true to form. The opener "Nullifying Tomorrow" starts all blast beats and screaming before making way for a melodic lead that eventually takes over a good portion of the song. This manages to give way to a calm acoustic part before going back into the song. The track contains more than a few parts that all musically seem to link to an idea of being more of a normal rock band while the vocals remain evil as usual. At some points throughout the album this idea rears its head and can feel at once great but at times like a horrible misstep. 

The production is clean and clear without a speck of dust on it, which does quite a bit to speak of how seriously the band take their musicianship as opposed to worrying about kvlt appeal. For a band of their style it would be wasted effort for them to cloud their music in an extra layer of lo-fidelity grime. Each guitar line can be heard separately and with great clarity which makes for a pleasant listen when then tempos shift while an acoustic piece remains lingering behind. 

While the band overall have managed to set upon their path and make their name, I remain torn. While the band is quite adept at playing each style, there remain points in their songs where they don't seem entirely certain which way it is going. Sometimes the band allows momentary reflection or calm but never lingers on it long enough to truly let it build , rather they tear it away quickly so as not scare any of the grimness away. So in the end we get an above average band playing some songs that are great and then some parts of songs that are great while inserting parts that are just ok. Simply put this album is ok.

7.0 / 10Jon E. • June 4, 2013

Forgotten Tomb – ...and Don't Deliver Us from Evil cover artwork
Forgotten Tomb – ...and Don't Deliver Us from Evil — Agonia, 2012

Related news

Free live Forgotten Tomb record

Posted in Bands on May 3, 2014

Forgotten Tomb's Vol. 5 to see vinyl release

Posted in Records on August 13, 2013

Enthroned and Forgotten Tomb European tour

Posted in Tours on November 21, 2012

Recently-posted album reviews

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more