Review
Gaahl's Wyrd
GastiR - Ghosts Invited

Season of Mist (2019) Kevin Fitzpatrick

Gaahl's Wyrd – GastiR - Ghosts Invited cover artwork
Gaahl's Wyrd – GastiR - Ghosts Invited — Season of Mist, 2019

Kristian Eivind Espedal, otherwise knows as Ghaahl has been a polarizing fixture on the Norwegian Black Metal scene since the mid 90s, fronting bands such as Gorgoroth and God Seed. In the nine years fronting Gorgoroth, Gaahl helped to create some the most vicious and brutal darkness in the genre without ever really straying from the true Norwegian style.

But Gaahl’s Wyrd feels like an altogether different animal. There’s more of a mythological, roots-based vibe more steeped in the Norse tradition. This is especially evident in Gaahl’s vocal work on this album - opting for a cleaner, more operatic style. More Attila Csihar and Tom Warrior than the guttural cries we’re used to.

This isn’t to say that the music has lost any of its power because it draws the listener into a more visual realm rather than the standard haze of blast beats.

Gaahl's Wyrd – GastiR - Ghosts Invited cover artwork
Gaahl's Wyrd – GastiR - Ghosts Invited — Season of Mist, 2019

Recently-posted album reviews

Palette Knife

Keyframe
Take This To Heart Records (2026)

There’s a fine line between being a quirky emo band with scene references and something that actually sticks. On Keyframe, Columbus trio Palette Knife don’t just flirt with that line but sharpen it, name it after a Final Fantasy item, and build ten huge choruses around it. The band’s self-described “Nerd-Core-Mid-West-Emo” tag could easily read like a gimmick, but this … Read more

The Downstrokes

The Furious Hours
Independent (2026)

There is a specific kind of sultry, salty sweat that only happens in a room with low ceilings and a tube amp screaming a warm hum for forgiveness. You can smell the lingering kerosene and the stale beer on The Downstrokes’ latest LP, The Furious Hours, before the needle even hits the groove. It’s the sound of a band that … Read more

The Arrivals

Payload
Recess (2026)

It's been a short lifetime since the last Arrivals record, Volatile Molotov, but in many ways the new Payload picks up exactly where the last one left off. It straddles the mid-tempo punk spectrum while drawing influence from seemingly all realms of the rock 'n' roll cannon. I'd state that mod, power-pop, Brit Invasion, and even R&B are some of … Read more