Review / 200 Words Or Less
Gaz Coombes
World’s Strongest Man

Caroline (2018) Kevin Fitzpatrick

Gaz Coombes – World’s Strongest Man cover artwork
Gaz Coombes – World’s Strongest Man — Caroline, 2018

It’s ironic that an album entitled World’s Strongest Man should show Gaz Coombes at his most vulnerable, but that’s precisely the point. Subverting expectations as both an artist and a man is a theme that runs throughout. It should then come as no surprise to hear that the album is said to be partly inspired by Frank Ocean’s Blonde - an album subverting an entire genre and redefining masculinity in a world where the bravado and braggadocio of “manhood” is sought to be proven at every turn. So, it’s here, on Coombes’ third album that he appears to have emerged from the chrysalis as the fully formed solo artist he was meant to be.

So many solo artist’s albums attempts at diversity come across as rough-hewn ideas thrown against a wall like undercooked pasta - hoping something, anything sticks. WSM is an confident, multi-faceted album that truly has something for everyone. Tracks like "Oxygen Mask" and "The Oaks" show a more self-assured, mature Coombes that could even be mistaken in parts for another fella from Oxford by the name of Thom Yorke. Coupled with the glorious swagger and groove driven contrast of tunes like "Wounded Egos" and "Deep Pockets" make it very clear that as an artist sometimes it’s not about finding any one particular safe niche, but embracing the diversity within one’s self and laying it bare for the world to see. 

Gaz Coombes – World’s Strongest Man cover artwork
Gaz Coombes – World’s Strongest Man — Caroline, 2018

Recently-posted album reviews

Circuit des Yeux

Halo On The Inside
Matador (2025)

Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in Fohr's narrative sensibility, but it is no longer the same. … Read more

ZEPHR

Past Lives
Dumb Ghost, Snappy Little Numbers (2025)

Sometimes you can just hear the passion in a voice. ZEPHR is one of those bands. They defy convention a little bit, in that I associate gravelly voices with harsher, heavier sounds, but ZEPHR use sore-throat vocals to great effect with midtempo, emotional and melodic 3-chord chugging punk rock and some DC sound. In few words, it's raw, both musically … Read more

Kreiviskai

Motinai
Infinite Fog Productions (2025)

Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more