Review / 200 Words Or Less
Giraffe Tongue Orchestra
Broken Lines

Party Smasher Inc. (2016) Kevin Fitzpatrick

Giraffe Tongue Orchestra – Broken Lines cover artwork
Giraffe Tongue Orchestra – Broken Lines — Party Smasher Inc., 2016

Another week another supergroup, right? Wrong. Nothing is expected on Broken Lines, the debut album from Giraffe Tongue Orchestra (GTO) - the new band featuring Brent Hinds from Mastodon, William DuVall from Alice In Chains, Ben Weinman from Dillinger Escape Plan and Thomas Pridgen, formerly of The Mars Volta.

With such an assortment of characters, the over/under on a crazy weird album is pretty good, right? Wrongo Dongo. The result is a surprisingly cohesive and well-crafted album that showcases not so much each members' idiosyncrasies, but the myriad of influences they each bring to the table, whether it's Hinds' love of surf music, Pridgen's past jazz experience or DuVall's unabashed love of Prince - as evidenced on tracks like "Everyone Gets Everything They Really Want". As strong as the gene pool for this experiment is (and this reviewer very much hopes this is more than a mere "experiment"), DuVall really is the breakout performer here, showcasing a range and ability far beyond what we've seen thus far in his work with A.I.C.

I'd say all members are working out of their comfort zones, but there's an ease and symbiosis at work in these tunes that would lead me to believe they're all very comfortable playing together - hopefully for many more years to come.

Giraffe Tongue Orchestra – Broken Lines cover artwork
Giraffe Tongue Orchestra – Broken Lines — Party Smasher Inc., 2016

Recently-posted album reviews

Palette Knife

Keyframe
Take This To Heart Records (2026)

There’s a fine line between being a quirky emo band with scene references and something that actually sticks. On Keyframe, Columbus trio Palette Knife don’t just flirt with that line but sharpen it, name it after a Final Fantasy item, and build ten huge choruses around it. The band’s self-described “Nerd-Core-Mid-West-Emo” tag could easily read like a gimmick, but this … Read more

The Downstrokes

The Furious Hours
Independent (2026)

There is a specific kind of sultry, salty sweat that only happens in a room with low ceilings and a tube amp screaming a warm hum for forgiveness. You can smell the lingering kerosene and the stale beer on The Downstrokes’ latest LP, The Furious Hours, before the needle even hits the groove. It’s the sound of a band that … Read more

The Arrivals

Payload
Recess (2026)

It's been a short lifetime since the last Arrivals record, Volatile Molotov, but in many ways the new Payload picks up exactly where the last one left off. It straddles the mid-tempo punk spectrum while drawing influence from seemingly all realms of the rock 'n' roll cannon. I'd state that mod, power-pop, Brit Invasion, and even R&B are some of … Read more