Review / 200 Words Or Less
Giraffe Tongue Orchestra
Broken Lines

Party Smasher Inc. (2016) Kevin Fitzpatrick

Giraffe Tongue Orchestra – Broken Lines cover artwork
Giraffe Tongue Orchestra – Broken Lines — Party Smasher Inc., 2016

Another week another supergroup, right? Wrong. Nothing is expected on Broken Lines, the debut album from Giraffe Tongue Orchestra (GTO) - the new band featuring Brent Hinds from Mastodon, William DuVall from Alice In Chains, Ben Weinman from Dillinger Escape Plan and Thomas Pridgen, formerly of The Mars Volta.

With such an assortment of characters, the over/under on a crazy weird album is pretty good, right? Wrongo Dongo. The result is a surprisingly cohesive and well-crafted album that showcases not so much each members' idiosyncrasies, but the myriad of influences they each bring to the table, whether it's Hinds' love of surf music, Pridgen's past jazz experience or DuVall's unabashed love of Prince - as evidenced on tracks like "Everyone Gets Everything They Really Want". As strong as the gene pool for this experiment is (and this reviewer very much hopes this is more than a mere "experiment"), DuVall really is the breakout performer here, showcasing a range and ability far beyond what we've seen thus far in his work with A.I.C.

I'd say all members are working out of their comfort zones, but there's an ease and symbiosis at work in these tunes that would lead me to believe they're all very comfortable playing together - hopefully for many more years to come.

Giraffe Tongue Orchestra – Broken Lines cover artwork
Giraffe Tongue Orchestra – Broken Lines — Party Smasher Inc., 2016

Recently-posted album reviews

The Library Is On Fire

Degeneration Elegies
The Abyss, Ltd. (2026)

There’s a certain kind of band that never quite fits the moment they arrive in. Sometimes too jagged for one scene, too melodic for another. The Library Is On Fire were one of those bands in the early 2000s, hovering somewhere between indie-punk urgency and power-pop instinct without fully settling into either. On Degeneration Elegies, their first full-length in over … Read more

Nicole Alexis

Mirrors & Smoke
Independent (2026)

There’s a fine line between stripped down music and so stripped back that is sounds empty. On Mirrors and Smoke, Nicole Alexis lands comfortably on the right side of that line, delivering a debut EP that leans into simplicity without losing its emotional weight. Built around acoustic arrangements and minimal production, the EP feels intentionally close. It feels like these … Read more

The Remote Controls

Too Tough
Fail Harmonic Records, Mom’s Basement Records (2025)

There’s a certain kind of punk band that doesn’t overthink things. No reinvention, no genre-bending manifesto, just fast songs, big hooks, and enough attitude to carry it all. Indianapolis’ The Remote Controls lean hard into that tradition on Too Tough, a record that feels less like a statement and more like a well-earned victory lap. Built on a steady diet … Read more