Review
Gone is Gone
Echolocation

Rise (2017) Kevin Fitzpatrick

Gone is Gone – Echolocation cover artwork
Gone is Gone – Echolocation — Rise, 2017

Mastodon are no stranger to side projects. Hell, guitarist/vocalist Brent Hinds has released two in the last year alone, with his new Legend of the Seagullmen album due in September. Brann Dailor released Arcadea, also on this years’ top 25 list, and Bill Kelliher doesn’t need your goddamn validation!

Gone is Gone is the amalgamation of Mastodon bassist/vocalist Troy Sanders, guitarist Troy Van Leeuwen of Queens of the Stone Age, drummer Tony Hajjar of At the Drive-In and multi-instrumentalist Mike Zarin. 

On paper, it shouldn’t work. Vastly different backgrounds and styles more often than not create a cacophony rather than a tranquility. But because Echolocation is very much the latter, is a testament to just how talented and multi-faceted the musicians involved really are. 

Opening track “Sentient” serves almost as an Isis-esque prelude to the album to come. “Gift” follows and is much more indicative of Echolocation’s groove-laden style, invoking whispers of Alice In Chains and Deftones. “Slow Awakening” is possibly Sanders’ finest vocal performance to date - sounding like an even more ominous Peter Steele. These touchstones are merely to give you an idea of what to expect. The thing is, once the listener tries to hold on that idea of familiarity, they realize they’re grasping at smoke and are left with something much more tangible and wholly unique.

What’s interesting is the journey each member takes with every passing tune. Where they each start at the beginning of a song, is not where they end up by thelat note. Take “Pawns” for example. It starts out very clearly with Sanders and Hajjar in the drivers’ seat, but by the time it fades out, it’s clearly Van Leeuwen driving the bus and we were none the wiser. 

Van Leeuwen is really the beautiful surprise in all of this. His guitar work has become so synonymous with the QOTSA sound, you forget how heterogeneous his talent really is. Van Leeuwen also earns the distinction of this reviewers’ 2017 Top 25 hat-trick award - making appearances on Echolocation, Chelsea Wolfe’s Hiss Spun and Queens of the Stone Age’s Villains.

Gone is Gone – Echolocation cover artwork
Gone is Gone – Echolocation — Rise, 2017

Related news

Gone Is Gone forms (ATDI, QOTSA, Mastodon)

Posted in Bands on April 16, 2016

Recently-posted album reviews

Between the Buried and Me

The Blue Nowhere
Inside Out (2025)

Between The Buried And Me are seasoned vets to the progressive metalcore, electronic, prog (whatever other genre they bend) scene and continue to drop album after album. Their career started back in 2000 from the ashes of one of the greatest metalcore bands of all time (in my humble opinion), Prayer For Cleansing. As the band has progressed over the … Read more

The Beths

Straight Line Was A Lie
Anti (2025)

Dear Beths, Congratulations on the new release. I’ve been reflecting on our relationship and, as I’ve recently started to write about music again, have been asked to share my thoughts with you. First and foremost, I want to say that this isn’t easy for me. I cherish your album Future Me Hates Me from 2018. The title track alone is … Read more

East End Redemption

Crashing Down
Independent (2025)

Who would’ve thought that from the land of lobsters and blueberries, you’d find a punk band? East End Redemption is a four-piece band that brings their flavor of punk from Portland, Maine to the masses with their eleven song, debut full-length album, Crashing Down. They mix elements of skate punk, power pop, and even hints of hardcore punk. The band … Read more