Review
Gone is Gone
Echolocation

Rise (2017) — Kevin Fitzpatrick

Gone is Gone – Echolocation cover artwork
Gone is Gone – Echolocation — Rise, 2017

Mastodon are no stranger to side projects. Hell, guitarist/vocalist Brent Hinds has released two in the last year alone, with his new Legend of the Seagullmen album due in September. Brann Dailor released Arcadea, also on this years’ top 25 list, and Bill Kelliher doesn’t need your goddamn validation!

Gone is Gone is the amalgamation of Mastodon bassist/vocalist Troy Sanders, guitarist Troy Van Leeuwen of Queens of the Stone Age, drummer Tony Hajjar of At the Drive-In and multi-instrumentalist Mike Zarin. 

On paper, it shouldn’t work. Vastly different backgrounds and styles more often than not create a cacophony rather than a tranquility. But because Echolocation is very much the latter, is a testament to just how talented and multi-faceted the musicians involved really are. 

Opening track “Sentient” serves almost as an Isis-esque prelude to the album to come. “Gift” follows and is much more indicative of Echolocation’s groove-laden style, invoking whispers of Alice In Chains and Deftones. “Slow Awakening” is possibly Sanders’ finest vocal performance to date - sounding like an even more ominous Peter Steele. These touchstones are merely to give you an idea of what to expect. The thing is, once the listener tries to hold on that idea of familiarity, they realize they’re grasping at smoke and are left with something much more tangible and wholly unique.

What’s interesting is the journey each member takes with every passing tune. Where they each start at the beginning of a song, is not where they end up by thelat note. Take “Pawns” for example. It starts out very clearly with Sanders and Hajjar in the drivers’ seat, but by the time it fades out, it’s clearly Van Leeuwen driving the bus and we were none the wiser. 

Van Leeuwen is really the beautiful surprise in all of this. His guitar work has become so synonymous with the QOTSA sound, you forget how heterogeneous his talent really is. Van Leeuwen also earns the distinction of this reviewers’ 2017 Top 25 hat-trick award - making appearances on Echolocation, Chelsea Wolfe’s Hiss Spun and Queens of the Stone Age’s Villains.

Gone is Gone – Echolocation cover artwork
Gone is Gone – Echolocation — Rise, 2017

Related news

Gone Is Gone forms (ATDI, QOTSA, Mastodon)

Posted in Bands on April 16, 2016

Recently-posted album reviews

Sweeping Promises

You Say I Romanticize
Sub Pop (2026)

What strikes me foremost about this record are the vocals. As the father of a 13 y.o. daughter I feel qualified to say that this person could be a pop singer. I mean I don’t really know what it takes to be one, although I’m sure that it’s more than a voice good enough to win a game show, I’ve … Read more

Moonraker

Me and the Bells
Punkerton Records (2026)

I have probably talked about this before, I knew of Moonraker through split EPs and things like that, but they didn't fully pop into my consciousness until The Forest. Me and the Bells, four years later, is their follow-up full-length and it continues the trajectory from that record while still capturing its own distinct vibe. Musically the band is heavily … Read more

Dreamwell

Hymns for the Denial of God
Prosthetic (2026)

Some records make their intentions obvious from the very beginning. They use the same structure that countless bands have for decades: verse, chorus, breakdown, payoff, and the blunt force of explaining what you are supposed to feel. Hymns for the Denial of God does something much more complex. It’s a series of difficult questions no one wants to answer, proposed … Read more