Review
Gonzales
Checkmate

Chorus of One (2009) Loren

Gonzales – Checkmate cover artwork
Gonzales – Checkmate — Chorus of One, 2009

It shouldn't take a Johnny Cash song to make a record take off. With Checkmate, from Gonzales, that's exactly the problem. The first hook to really pull you in comes on "Ring of Fire," which sets a positive tone for everything that follows after it. Unfortunately, that's only the final three songs.

At their heart, Gonzales seek to be a big guitar, balls-to-the-wall rock band, the kind that screams macho energy and falls somewhere in the neighborhood of Nashville Pussy, with southern influences and unabashed Lemmy adoration. Unfortunately, the first six songs really aren't that laden with memorable hooks and the vocals are adequate but not gripping. Everything is decent, but it doesn't jump out. On "Fallen" there are some solos that capture attention, and the intro to "Heaven Gone Wrong" continues the trend, but, generally speaking, there's little variety to be gained, and seemingly one tempo until "Ring of Fire" kicks off. Lyrics including "My baby knows how to blow my mind" in the latter are indicative of the record's tone.

After the cover song, the subtle rockabilly of "Go to Hell" is easier to discern, with some serious shredding filling the voids. The latter songs shift the sound a little further from the guitar, utilizing more backing vocals and choruses. This creates a more cohesive sound and the solos feel complementary instead of the driving force. The well-rounded rock'n'roll of "Fiesta" and "My Son," at the record's end, offers potential for a compelling rock record.

It's not so much that Checkmate is a bad record, but it's without focus and ends up rather forgettable.

6.5 / 10Loren • October 20, 2009

Gonzales – Checkmate cover artwork
Gonzales – Checkmate — Chorus of One, 2009

Recently-posted album reviews

Circuit des Yeux

Halo On The Inside
Matador (2025)

Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in Fohr's narrative sensibility, but it is no longer the same. … Read more

ZEPHR

Past Lives
Dumb Ghost, Snappy Little Numbers (2025)

Sometimes you can just hear the passion in a voice. ZEPHR is one of those bands. They defy convention a little bit, in that I associate gravelly voices with harsher, heavier sounds, but ZEPHR use sore-throat vocals to great effect with midtempo, emotional and melodic 3-chord chugging punk rock and some DC sound. In few words, it's raw, both musically … Read more

Kreiviskai

Motinai
Infinite Fog Productions (2025)

Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more