Review / 200 Words Or Less
Grease Thieves
The World This Hour

Independent (2015) Andy Armageddon

Grease Thieves – The World This Hour cover artwork
Grease Thieves – The World This Hour — Independent, 2015

Newly-formed Vancouver, BC pop-punk trio Grease Thieves boast a vocalist whose snarl makes him sound a bit like vintage Tim Armstrong, and one can almost hear the saliva flinging around on the four songs featured on the group’s 2015 The World This Hour - about as enthusiastic and fun a debut EP as one could hope for. Unfortunate though it may be that opener “99 Problems” isn’t a re-imagining of the Jay-Z hit, it still rips forward on the back of a bouncy bassline and throaty vocals, with downright hooky guitar thrown in for good measure. The infectious energy carries over into the similar rollicking “Threw It Away,” which manages a few rhythmic change-ups and even a solo break in its minute and a half duration, “How Many Days,” wrapping things up in a lean and mean 56 seconds, and “No Tomorrow,” a closer that alternates between rowdy verses and a nostalgia-inducing guitar interlude. They may not be doing anything that hasn’t been done before, but Grease Thieves come across like a more cheerful but still snotty, alternate universe version of The Dwarves, and in doing that, they simply can’t be all bad.

Grease Thieves – The World This Hour cover artwork
Grease Thieves – The World This Hour — Independent, 2015

Recently-posted album reviews

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more