Review / 200 Words Or Less
Haiku Salut
Tricolore

How Does It Feel to Be Loved? (2013) Sarah

Haiku Salut – Tricolore cover artwork
Haiku Salut – Tricolore — How Does It Feel to Be Loved?, 2013

To say Haiku Salut are an odd ensemble would fall several metres short of the mark, judging by their 2013 release Tricolore.

Their music has influences from all over the map, unifying elements of indie, post-rock, electronic music, and even baroque pop. Their compositions, largely instrumental, rarely conform to expectations, with each piece taking more twists and turns than can be kept track of. Yet despite the confusing exterior, the album has an inescapably intriguing atmosphere about it. By virtue of the unexpected choices in instruments and style, each song is designed to pique your interest, to the point where hearing one track means you'll likely listen to the whole album by accident.

The whole album sounds kitschy, but incidentally so--Haiku Salut sound like they just so happened to stumble upon the magical unifying element of musical enjoyment. They deserve credit for producing an album that not only catches the listener off guard, but keeps her on her toes until the very end. Tricolore is like nothing I've ever heard, and I mean that to be a profound compliment. You definitely need to give this album a listen.

6.5 / 10Sarah • September 16, 2013

Haiku Salut – Tricolore cover artwork
Haiku Salut – Tricolore — How Does It Feel to Be Loved?, 2013

Recently-posted album reviews

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more