Review
Helmet
Size Matters

Interscope (2004) Michael

Helmet – Size Matters cover artwork
Helmet – Size Matters — Interscope, 2004

Helmet falls into the category of bands that had the unfortunate luck of spawning a group of bands that were nothing more than third-rate rip-offs. This puts them in the company of fellow alternative metal act Faith No More. How unfortunate. I'm sure front man Page Hamilton is spinning in his grave. Or at least he would be, if he were dead.

Size Matters is the first release of new music from Helmet in seven years. And in that time span, a lot has happened in the world of music. Perhaps the biggest change is the mainstream success of alternative metal bands on both television and radio. In their heyday, it would have been laughable to hear Helmet on anything other than college radio.

So here we are seven years later and Helmet has returned to reclaim their territory. But Size Matters isn't exactly a return to form for Helmet; Hamilton is the only core member who remains from the band's early days. For this release he enlisted guitarist Chris Traynor (Orange 9mm), drummer John Tempesta (Rob Zombie), and bassist Frank Bello (Anthrax). The new recruits get the job down well, but since Hamilton wrote the vast majority of the songs, there is little to say about the others' contributions. They're all talented individuals on their respective instruments, but one can hardly say they contributed much beyond being hired guns.

The easiest way to analyze the songs of Helmet is to separate them into two categories. On one hand, we have songs such as "Smart," "Everybody Loves You," and "Throwing Punches." These songs find Hamilton utilizing his "red-neck truck driver" voice. His delivery is predominantly rough sounding yelling, not screams. The closest comparison I can draw is Iron Lung of Scissorfight. Musically, these songs feature the more aggressive riffs and fast-paced drumming that rekindle thoughts of Helmet material found on Strap it On.

On the other hand, we have "Crashing Foreign Cars" and "Unwound" that feature the softer and more accessible Hamilton. With use of catchy melodies, memories of "Milquetoast" and "Like I Care" quickly are drawn out of the deepest depths of the Helmet fan's mind. As a whole, these types of songs are much more prevalent on Size Matters, which is the opposite of previous Helmet material. For those among Helmet fans that preferred this vocal styling of Hamilton, you will be pleased to hear that these songs are not only the cream of the crop on ths release, but also rival those of rock radio acts like The Deftones and Foo Fighters.

So was the return of Helmet a return to glory? That's up for debate. And while it's nice to have a solid rock band like Helmet around again, the cohesion from albums like Meantime and Betty is lacking on this latest effort. But despite the sub par return endeavor, Helmet still executes alternative metal superior to that of the "nu-metal" parade that they involuntarily influenced.

6.5 / 10Michael • November 28, 2004

Helmet – Size Matters cover artwork
Helmet – Size Matters — Interscope, 2004

Related news

Gang Of Four tribute coming in May

Posted in Records on January 10, 2021

Ministry Industrial Strength Tour: Doing it again

Posted in Tours on January 19, 2020

Helmet Tap Intronaut For North American Tour

Posted in Tours on August 23, 2010

Recently-posted album reviews

Circuit des Yeux

Halo On The Inside
Matador (2025)

Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in Fohr's narrative sensibility, but it is no longer the same. … Read more

ZEPHR

Past Lives
Dumb Ghost, Snappy Little Numbers (2025)

Sometimes you can just hear the passion in a voice. ZEPHR is one of those bands. They defy convention a little bit, in that I associate gravelly voices with harsher, heavier sounds, but ZEPHR use sore-throat vocals to great effect with midtempo, emotional and melodic 3-chord chugging punk rock and some DC sound. In few words, it's raw, both musically … Read more

Kreiviskai

Motinai
Infinite Fog Productions (2025)

Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more