Review
Often Wrong
The Figs Are Starting to Rot

Far From Home Records (2025) Jeremiah Duncan

Often Wrong – The Figs Are Starting to Rot cover artwork
Often Wrong – The Figs Are Starting to Rot — Far From Home Records, 2025

Often Wrong is an emo/grunge/screamo hybrid born out of the DIY scene. It was built through the kind of friendships that start in basements, not boardrooms. The band formed in 2024 and quickly started carving out their own lane. They are blending fragile, journal-entry emo with blown-out guitars and throat-shredding catharsis.

They’re signed to Far From Home Records, a label built on the same scrappy ethics they live by. No polish, no gimmicks, just raw feeling and volume. The Figs Are Starting to Rot is their debut EP and is the first real look at a band that clearly isn’t interested in playing it safe or sounding clean. If emo had a moldy basement corner it didn’t want to talk about, Often Wrong would be growing there with their loud, honest, unpretty, and completely real music.

Some bands write breakup records. Some write burnout records. Often Wrong sounds like they wrote a slow-motion emotional collapse in real time and then decided to scream about it in a basement with the lights half-on. Their debut EP is a five-track swing between fragile emo, swampy grunge haze, and early-2000s screamo damage. It’s messy in the way honesty always is.

The single “Slipping Under” sets the tone with soft, shaken vocals riding a quiet verse that feels like it was recorded at 3 AM, then a sudden explosion like someone finally reached the part of the diary they didn’t want anyone to read out loud. There’s scraping guitar tone, spoken-word confession, and a scream that doesn’t sound performed but authentic.

The rest of the EP plays like a mood swing on tape offering quiet and cracked moments, blown out and cathartic ones next. It’s got the DNA of Sunny Day Real EstateTitle Fight’s Floral Green era, old Touché Amore demo energy, and even a little Nirvana bleach-stain sludge. But don’t get it twisted. This isn’t cosplay. This is clearly a band writing from inside the collapse, not observing it from a Spotify mood playlist.

What makes this EP hit is its refusal to be pretty. Even its beauty is bruised. There’s no shine, no sanding down the edges, no “everything’s gonna be okay” chorus. Just emotional rot, guitar fuzz, and the kind of lyrics that sound like they weren’t meant for daylight.

The Figs Are Starting to Rot is the kind of debut that doesn’t try to convince you but just hands you the offering unapologetically. If your favorite emo bands are the ones that sound like they’re still figuring out how to stay alive, this one’s for you. Emo with dirt under its nails and a scream stuck in the throat. If you like your feelings jagged instead of polished, Often Wrong just became your new favorite.

Often Wrong – The Figs Are Starting to Rot cover artwork
Often Wrong – The Figs Are Starting to Rot — Far From Home Records, 2025

Recently-posted album reviews

Nicole Alexis

Mirrors & Smoke
Independent (2026)

There’s a fine line between stripped down music and so stripped back that is sounds empty. On Mirrors and Smoke, Nicole Alexis lands comfortably on the right side of that line, delivering a debut EP that leans into simplicity without losing its emotional weight. Built around acoustic arrangements and minimal production, the EP feels intentionally close. It feels like these … Read more

The Remote Controls

Too Tough
Fail Harmonic Records, Mom’s Basement Records (2025)

There’s a certain kind of punk band that doesn’t overthink things. No reinvention, no genre-bending manifesto, just fast songs, big hooks, and enough attitude to carry it all. Indianapolis’ The Remote Controls lean hard into that tradition on Too Tough, a record that feels less like a statement and more like a well-earned victory lap. Built on a steady diet … Read more

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more