Review
Ivanhoe
Systematrix

Massacre Records (2013) Sarah

Ivanhoe – Systematrix cover artwork
Ivanhoe – Systematrix — Massacre Records, 2013

You'd think a band named after Sir Walter Scott's most famous work would tend towards the contemplative (or, at least, the historically literate). But judging by German band Ivanhoe's latest album, that characterization falls several yards beyond the mark. The truth is, there's very little intellectual merit, or even any redeeming value, to be found in Systematrix.

The largest issue with this album is that it sticks so close to prog metal tropes that it really doesn't have anything original to say. The compositions sound entirely too safe to be of anything other than passing interest, and even then, listening to riff after recycled riff can become numbing in its lack of substance. In all honesty, it's also a bit of a misnomer to call it progressive music--the album sounds like a bland regurgitation of heavy metal tracks with the occasional odd time signature thrown in, which supposedly is enough for inclusion in the genre. And while it's not an imperative that every band should seek to push the boundaries of their genre, the overwhelming dearth of progress or risk in this music only serves to heighten awareness of uninspired it is. There just isn't anything to find interesting about this album.

To make matters worse, the mixing gives absolutely no thought to context whatsoever. No matter what is going on--anthemic choruses, difficult buildup, or even passable soloing--it all gets mixed with the same treatment, resulting in an album that's dull, staid, and lacking in any kind of expressive power. Musical quality aside, the entire work takes a dip in quality from the pervasive feeling of malaise that coats even the most euphorically composed of its passages. Between the terrible mixing and the lack of variety in the songwriting, the album becomes this muddled afterimage of what could've been an enjoyable work.

Listening to the album is an exercise in patience, and one whose only payoff is a dull husk of what could've been. Ivanhoe have a few excellent ideas, but between the quantity of chaff and the pallid sound, Systematrix is far from what a band over twenty years old should be capable of. I am searching for something about this album to make this conclusion a bit less mean-spirited, but I'm coming up empty. I can honestly say that listening to this album accomplished nothing for me, intellectually nor emotionally, and I think it's a clear indicator of quality if the best thing I can say about an album is that it didn't cause me physical pain.

3.0 / 10Sarah • July 15, 2013

Ivanhoe – Systematrix cover artwork
Ivanhoe – Systematrix — Massacre Records, 2013

Recently-posted album reviews

Lice (Aesop Rock & Homeboy Sandman)

Vol. 4: Miami Lice
Rhymesayers (2026)

This EP released kind of suddenly, back in March, right before a bunch of stuff hit the fan in my life outside of SPB. Which means the EP felt sudden, but this review has been stewing for nearly three months with a lot of repeat listening along the journey. At eight songs in length, it's short but sweet, and as … Read more

Various Artists

There Is No Sun - A Tribute To Jay Reatard
Sonic Church (2026)

The late, great Jay Reatard was a prolific master of rock n roll gems. Whether it be with his earlier budget-punk act of his namesake, Reatards, his synth-punk projects Lost Sounds and Angry Angles, or his solo material as Jay Reatard, Jimmy Lee Lindsey Jr. was an incredible songwriter. Those aforementioned bands are just a smattering of units he’s been … Read more

The Dwarves

Jenkem
Greedy, MVD (2026)

The Dwarves first cut me off on my path with their 1986 garage-rock debut, Horror Stories, on Voxx Records. Been a fan since. Over the forty years they've been around, some albums hit, some didn't connect as much. Their last main outing, Concept Album, bloated into a 26-song deluxe CD. Jenkem returns to familiar territory: 14 tracks screaming by in … Read more