Review
Jack's Mannequin
The Glass Passenger

Sire (2008) Graham Isador

Jack's Mannequin – The Glass Passenger cover artwork
Jack's Mannequin – The Glass Passenger — Sire, 2008

A lot of artists resist fame. I've done interviews with bands for nearly five years now and have heard countless times from both nameless and recognizable acts that there were never any aspirations for a hit radio single or a gold album. For these people it seemed when something reached a point of popularity it lost authenticity. By acknowledging the idea of notoriety as an accident they were able to maintain a personal concept of credibility. The flip side to that is the "rock stars" running about proclaiming their song's importance to society at large. I've talked to these people too, and while I admire their confidence the pretensions surrounding the music tends to wear thin. The best songwriters, not my favorite songwriters, have something that exists outside of both these ideas. They create music that personally resonates by touching on universality.

Andrew McMahon under his Jack's Mannequin moniker is writing tracks to tap into a larger audience. The songwriter, known best for his time as the front man of the emo-charged indie pop band Something Corporate, has created an interesting balance with his sophomore solo effort. The Glass Passenger is a record asking for an audience. It doesn't jam anything down your throat, but it offers up big ideas wrapped in sentiments and shared experience. Each song is something personal, but recognizable in the sense that we've all been there before. It's what a pop song should be.

Though the pieces are there, the execution of The Glass Passenger's piano driven tracks are hit and miss. Unapologetically switching from upbeat sing-alongs to lullaby ballads, McMahon sometimes gets lost in his own ambition. The album lacks the direction of its predecessor Everything in Transit, but comes across with more mature content. Where Everything in Transit is an album working out issues, The Glass Passenger is examining a sense of self. The result of this is a delightful balance of sappy and sincere.

On the album's single "The Resolution" the song begins with the lines "There's a lot that I don't know. There's a lot that I'm still learning." The lyrics grasp the bigger picture of Andrew McMahon, and The Glass Passenger: potential that hints at something much bigger.

Jack's Mannequin – The Glass Passenger cover artwork
Jack's Mannequin – The Glass Passenger — Sire, 2008

Related features

Related news

Eagles Of Death Metal Video

Posted in Bands on June 23, 2004

Recently-posted album reviews

The Library Is On Fire

Degeneration Elegies
The Abyss, Ltd. (2026)

There’s a certain kind of band that never quite fits the moment they arrive in. Sometimes too jagged for one scene, too melodic for another. The Library Is On Fire were one of those bands in the early 2000s, hovering somewhere between indie-punk urgency and power-pop instinct without fully settling into either. On Degeneration Elegies, their first full-length in over … Read more

Nicole Alexis

Mirrors & Smoke
Independent (2026)

There’s a fine line between stripped down music and so stripped back that is sounds empty. On Mirrors and Smoke, Nicole Alexis lands comfortably on the right side of that line, delivering a debut EP that leans into simplicity without losing its emotional weight. Built around acoustic arrangements and minimal production, the EP feels intentionally close. It feels like these … Read more

The Remote Controls

Too Tough
Fail Harmonic Records, Mom’s Basement Records (2025)

There’s a certain kind of punk band that doesn’t overthink things. No reinvention, no genre-bending manifesto, just fast songs, big hooks, and enough attitude to carry it all. Indianapolis’ The Remote Controls lean hard into that tradition on Too Tough, a record that feels less like a statement and more like a well-earned victory lap. Built on a steady diet … Read more