Review
Japanese Breakfast
Soft Sounds From Another Planet

Dead Oceans (2017) Kevin Fitzpatrick

Japanese Breakfast – Soft Sounds From Another Planet cover artwork
Japanese Breakfast – Soft Sounds From Another Planet — Dead Oceans, 2017

All the best albums are made for mood. Some for when you’re feeling happy and carefree, and some for when you’re driving around the city in the pouring rain, with the neon lights of seafood restaurants and used car dealerships shimmering through your windshield and your tears. 

Japanese Breakfast is the latter, and Soft Sounds From Another Planet excels in that transcendent melancholy that we all need to wallow in every once in a while. Japanese Breakfast is the solo nom de guerre of Philadelphia musician Michelle Zauner, of Little Big League. The similarities between the two are there, but while LBL is more brash and in your face, Japanese Breakfast slows things down. Takes its time. And honestly, shows off more of what Zauner is really capable of. 

Tracks like “This House” and “12 Steps” and their sparse arrangements fit in nicely with the more layered, keyboard driven numbers like “Machinist”and “Road Head”. The contrast can sound scattered in lesser hands but here, there’s a solid, complimentary cohesion throughout. A reminder that an album of complexity doesn’t have to be complex to listen to.

Japanese Breakfast – Soft Sounds From Another Planet cover artwork
Japanese Breakfast – Soft Sounds From Another Planet — Dead Oceans, 2017

Related news

Recently-posted album reviews

The Dwarves

Sunshine, Lollipops & Rainbows
GREEDY (2025)

Sunshine, Lollipops & Rainbows is a live studio recording from 1989, released on picture disc earlier this year on limited vinyl for Record Store Day. Given that it came shortly before the release of Blood, Guts & Pussy, it's no surprise that it's heavy on songs from that record (10 of 14, if I've counted correctly). It's more primal than … Read more

Osmium

Osmium
Invada (2025)

Osmium brings together four artistic heavyweights, united not just by a shared experimental ethos, but by a love of bespoke and often self-made instruments. On their debut record, Hildur Guðnadóttir harnesses the unstable feedback of the halldorophone, a cello-like instrument designed by Halldór Úlfarsson. James Ginzburg (emptyset) contributes tamboura-like drones using a monocord of his own design. Sam Slater operates … Read more

Lutheran Heat

Hi Again
Pinata Records (2025)

Lutheran Heat have one of my favorite band names, a distinctly Minnesota tongue-in-cheek nod to local culture and mannerisms. But while I dig the band name, that's not really relevant to the rest of this review. Hi Again is their first record in 9 years, but it continues their garagey indie-punk tones. Expect garage rock guitar tones, slacker indie rock … Read more