Review
Killington Fall
Keep Your Eyes To The Sea

Independent (2011) Sarah

Killington Fall – Keep Your Eyes To The Sea cover artwork
Killington Fall – Keep Your Eyes To The Sea — Independent, 2011

I've reached the point where most post-rock albums start to sound the same. While I won't say I'm completely blasé, unless a band is pulling something out of left field, it's really difficult for a band to stand out. Alas, that is where British rockers Killington Fall find themselves with their 2011 release Keep Your Eyes to the Sea.

Don't get me wrong; it's by no measure a bad release. It just has the habit of being extremely predictable. All of the songs, while good, succumb to mere permutations of common post-rock writing tricks that you can hear in every brand from Explosions in the Sky to Mogwai. While that's not a bad thing in of itself, Killington Fall aren't doing themselves any favours by bringing nothing new to the table to stand out.

Once you get past that issue, the music is nonetheless enjoyable. The opening track, "Ghost Rockets" (which is available for free download) is definitely the strongest of the bunch. The melodies are incredibly sweet without ever allowing themselves to be bogged down in the vast dynamic shifts, and, while relatively straightforward, it stands out as being the most memorable of the bunch.

That song segues directly into the second track, "Two Surrendered Flags", which starts off almost as a direct continuation of the themes from the first track stylistically and melodically. It quickly adds some of its own distinct embellishment, developing its own personality and feel. It then quickly takes a sudden, shocking shift into its second half, where the guitars and distortion get cranked all the way to the ceiling and the band delivers their most powerful playing on the album. The way the furious, powerful rhythmic monotony plays behind the lighter lead lines is done impeccably, and to great reward for the listener.

The album then moves into the third, transitional track, "Stable Waves". The way the drumming is completely removed from the rest of what's happening, despite being much more powerful and forceful, is quite jarring to hear, and also quite effective. The delicately frail melodies that float on top of the furious rhythms create an effect akin to listening to ambient music on headphones while the thrash metal drummer practices in the next house over (except a lot much more pleasant than I just made it sound).

The closer, "Eventide, The Dark" is a solid finisher. The second buildup in the middle of the song is one of my favourite moments on the whole album. It is dragged out just a little bit, but not so much as to make it tiresome; it's just enough to allow you to experience it just a little bit longer and get comfortable before it leads into some absolutely great, cacophonic drumming and guitar interplay. The song then finishes with a dirge-like, grungy melody, before fading out altogether too quickly.

So while Keep Your Eyes to the Sea is basically an exercise in pulling every single trick in the post-rock playbook out and using them at once, it's still a pleasant listen. It's clear Killington Fall still have a ways to go if they want to stand out amongst their peers, but this album still makes a solid (if somewhat modest) addition to any post-rock fan's collection.

6.0 / 10Sarah • April 9, 2012

Killington Fall – Keep Your Eyes To The Sea cover artwork
Killington Fall – Keep Your Eyes To The Sea — Independent, 2011

Recently-posted album reviews

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more

The S.E.T.

Self Evident Truth
Flatspot Records (2026)

Hardcore doesn’t need reinventing; just needs conviction. On Self Evident Truth, Baltimore’s The S.E.T. come out swinging with a debut EP that’s built on exactly that. It’s got groove, urgency, and a clear sense of purpose. Clocking in at around fifteen minutes, the EP wastes no time establishing its identity. From the opening moments of “This Chain,” it’s all forward … Read more

Dashed

Self Titled
Independent (2026)

When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through something colder, sharper, and far less predictable. Across eleven tracks, … Read more