Review
King Khan & The BBQ Show
Invisible Girl

In The Red (2009) Loren

King Khan & The BBQ Show – Invisible Girl cover artwork
King Khan & The BBQ Show – Invisible Girl — In The Red, 2009

In his two-piece with Mark "BBQ" Sultan, King Khan & The BBQ Show brings garage rock as it's meant to be played: layered with harmonies and catchy choruses, but oozing with distortion and dirty, sleazeball rock and roll.

King Khan & The BBQ Show have perfected simple, fun rock and roll. When "Anala" first hits your player, it's not a thought of, "Oh my god, I've never heard anything like this," as much as a recognition of music done right. For the first few songs, it sounds like soft, friendly, harmony-driven garage rock with some hints of surf and R&B. Not to say that isn't correct, but there's a seedy side that takes the garage style and adds base debauchery. It takes a special band to shift from the ear candy harmonies of "Invisible Girl" and the croon-until-he's hoarse "Third Ave" to the ridiculous nature of songs like "Animal Party" and "Tastebuds" (which deserves a separate analysis, due to its lyrics so sexually blunt that no innuendo is necessary. It's astonishingly stupid to the point of brilliance, and has me singing "Tastebuds on your cunt, so you can lick my booty from the front" along to it as long as I can keep a straight face). Given a single song or two like this, one could dismiss King Khan as a novelty, but that would miss the point.

The range of content and the tight song-crafting overcomes any silliness. Sure, Khan and Sultan like to have fun, but they're serious musicians at heart. Even if that fun sometimes overrides their professionalism, as it did on the recent drug-bust that canceled part of their tour. For the few silly songs on the record, there are even more R&B-fueled, smooth garage songs to enjoy. It's hard to ignore how succinct the structures are and how the album, despite its genre-leanings, differentiates between songs. The choral moments of the titular track are among the best harmonies I've heard this year, with minimal guitar-driven rock setting the tone. The spoken word style that Khan sporadically implements doesn't suit my fancy, but that's the worst I can say about this release. Invisible Girl may not break new ground, but King Khan & The BBQ Show continue to deliver quality revival garage while honing their skills and harmonies.

8.0 / 10Loren • December 23, 2009

King Khan & The BBQ Show – Invisible Girl cover artwork
King Khan & The BBQ Show – Invisible Girl — In The Red, 2009

Recently-posted album reviews

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more