Review
Kollegah
Monument

Alpha Music Empire / Warner Music (2018) T

Kollegah – Monument cover artwork
Kollegah – Monument — Alpha Music Empire / Warner Music, 2018

The last few years have seen a good amount of great German hip-hop albums, however, now there is Monument.

Kollegah’s previous emissions are outstanding, but the way he bookended the rollercoaster ride that the year 2018 proved to be for him is the evolutionary apex of an artist who has honed and refined his craft over the last fourteen years, and, is by far both more venomous and subtle than what he has released before.

Kollegah’s densely packed potent lyrical emissions are framed by scores of internationally renowned A-list producers such as Scott Scorch and AraabMuzik. In that regard one could claim that there are multiple stars on Monument, not even mentioning the high-calibre features by the likes of NAS and Cam'ron, but the album would be nothing without Kollegah destroying literally every track with his unbridled passion and his unrivalled ability to coolly captivate an audience with his storytelling chops, scalpel-like precision, or his talent of mining comedy from both the most absurd and serious of subjects.

These are skills rarely seen in the same package yet Kollegah’s oeuvre comprises them.

While his peers brag about the size of their (man-)hood, elaborate on their mundane status symbols or loose themselves in flavour of the month Modus Mio afrotrap, Kollegah styles on them with peculiar gusto and authenticity.

The man loves painting pictures with words, and “Monument” is his ultimate canvas as he trafficks in smart lyrics and metaphorical punchlines par excellence over well-curated beats.

Monument is a journey through the stoicism and the regimen that form the DNA of a self-made kingpin's life.

Monument is a manifesto that towers over German hip-hop and will shape the scenery for years to come - an album that serves both as an honest narrative of his life and an unrepentant and poignant defence of it.

Kollegah’s finesse aside, his piquant delivery and effortless flow infuse both the hard-edged songs as well as the smooth, accessible jams with his idiosyncratic, unique style and make “Monument” a masterpiece.

A monument indeed.

My album of the year 2018.

9.0 / 10T • January 7, 2019

Kollegah – Monument cover artwork
Kollegah – Monument — Alpha Music Empire / Warner Music, 2018

Recently-posted album reviews

DMZ

The Lost Studio Sessions-1978
Crypt Records (2026)

The Lost Studio Sessions 1978 finally sets the record straight. This is the raw, ugly power the band’s debut never touched. For years, the DMZ legacy has been misunderstood because of that Sire LP. Look, it was the first record of theirs I ever heard and I still love it—but Flo & Eddie’s production smoothed over everything that made them … Read more

Mal Thursday Quintet

Mods & Gods
Chunk Archives Recordings, Teen Sound Records (2026)

Mods & Gods, the 2026 release from the Mal Thursday Quintet, is a full-throttle blast of Farfisa-driven energy and playful garage primitives. Mal Thursday has spent decades scraping the rust (which never sleeps) off the genre’s fuzz-soaked hemoglobin—nods to Sky Saxon, Roky Erickson, and Brian Jones are baked in. And yes, Mal has gotten around. Born in the thick of … Read more

Tigers Jaw

Lost on You
Hopeless (2026)

Tigers Jaw was formed in 2005 in Scranton, PA by high school friends. After a brief hiatus in 2013, the band is once again carefully crafting and delivering a sound that is equal parts upbeat angst and mellow moodiness. The current lineup, consisting of Ben Walsh (guitar, vocals), Brianna Collins (keys, vocals), Mark Lebiecki (guitar), Colin Gorman (bass), and Teddy … Read more