Review
Love Collector
My Baby Goes Waaah!

Big Action (2009) Loren

Love Collector – My Baby Goes Waaah! cover artwork
Love Collector – My Baby Goes Waaah! — Big Action, 2009

What you get with Love Collector is pretty straightforward. Only a few seconds into "My Baby Goes Waaah!," the titular track on this 7", it's clear that this is a band that plays punk-fused garage rock, with lots of guitar, a few pedals, and lots of attitude hovering around the two-minute-per song mark. It's also the kind of rock where lyricism is a near non-factor. The lyrics tend to be insipid: a case in point being the titular song and excerpts like "I want to be her man / When she hits me with a frying pan / My baby she's such a brat / I want to beat her with a baseball bat" It's irreverent and fun, with the guitar hooks being the primary force. The lyrics are a little snotty and overdone, which somewhat detracts from the rollicking energy.

The B-side continues in like manner, with "Tell Me," which channels The Hives, but runs the familiar sound through a wash cycle, distorted and sped up. Both of the b-sides are less cartoonish on the love subject, and it makes up an interesting single with the recurring thematic approach of songs about girls. All three are up-tempo, keep-your-foot-tapping songs that, while maintaining a very precise genre feel, also differentiate from one another in large part due to the choruses. There's a formula to their songwriting, but can you really go wrong with short, loud, and fast?

7.4 / 10Loren • April 11, 2010

Love Collector – My Baby Goes Waaah! cover artwork
Love Collector – My Baby Goes Waaah! — Big Action, 2009

Recently-posted album reviews

Circuit des Yeux

Halo On The Inside
Matador (2025)

Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in Fohr's narrative sensibility, but it is no longer the same. … Read more

ZEPHR

Past Lives
Dumb Ghost, Snappy Little Numbers (2025)

Sometimes you can just hear the passion in a voice. ZEPHR is one of those bands. They defy convention a little bit, in that I associate gravelly voices with harsher, heavier sounds, but ZEPHR use sore-throat vocals to great effect with midtempo, emotional and melodic 3-chord chugging punk rock and some DC sound. In few words, it's raw, both musically … Read more

Kreiviskai

Motinai
Infinite Fog Productions (2025)

Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more