Review
Lovesliescrushing
Glinter

TQA Records (2012) — Bob

Lovesliescrushing – Glinter cover artwork
Lovesliescrushing – Glinter — TQA Records, 2012

Sitting down with Glinter forces me to ask why loveliescrushing is not more of a go to “band” for my listening habits given the theoretical confluence of sounds that people ascribe to this long running creative duo, but then it just hits me, loveliescrushing has just never hit me at the right time or been fortuitous before with the timing of their releases and my myriad of moods (I understand that this is entirely my problem); but for some reason (maybe the alignment of the stars maybe it is the stress talking) Glinter is their first album that completely won me over tipping my admiration into a somewhat awe.

The first aspect of Glinter that I notice is that the volume on my stereo has to be completely cranked to get the full effect of all of the compositional layers thatloveliescrushing because each sound not only seems to work on its own (heard in the way that “PT. I (Aureate Echo)” seems to introduce each sound the way that some orchestral schools of thought introduce each instrument) as well as together, but some are so subtle and quiet that the volume must be high to here the entire spectrum of sound. The second idiosyncrasy of Glinter that is immediately evident when listening to it is that the album is three expansive and long tracks (much different than most everything else that I have heard from loveliescrushing), and except for the strange dramatic pauses in “PT. II (She Is Above The Clouds)” (I kept looking to see if there was a new track at every pause, particularly because at least one of them was pretty long), the album is a seamless foray into a weird cloud of blissful sound with a dash of uplifting triumph.

Glinter does not vault me into number one super fan status for loveliescrushing, but the album does cajole me into taking more notice of what this duo does as well as making me think that I should probably re-visit the albums of theirs that I have to see if my overall perceptions of this creative project have shifted in a way that the other records might impact me differently now; and for that, I would have to say that Glinter spoke to me in just the right ways to get me to listen more closely to loveliescrushing.

7.5 / 10 — Bob • June 17, 2013

Lovesliescrushing – Glinter cover artwork
Lovesliescrushing – Glinter — TQA Records, 2012

Recently-posted album reviews

Massive Nightmares

Ain't My World
Black Numbers (2026)

Massive Nighmares debuted in 2024 with a short EP. Now they return with a full-length. The band plays a somewhat even blend of punk, emo, and alt-rock. As an example, check out "Up In Arms," which is like Dear You era Jawbreaker with a boost of power-pop and maybe some Lemonheads mixed in as well. While it's easily the poppiest … Read more

Contention

Nuclear Summer
Daze (2026)

Contention, I would argue, has spent the last few years at or near the top of the heap of the return to 90's styled Straight Edge Metalcore. I am being specific because there is no mistaking Contention's influences nor their message. This is a STRAIGHT EDGE band that is far more indebted to Morning Again that anything that uses a … Read more

A Secret Revealed

The Ruin I Summoned Forth
Lifeforce (2026)

There are albums that use heaviness as an assault and others that use it to create an atmosphere. On The Ruin I Summoned Forth, A Secret Revealed manage to does both. The German quintet’s fourth full-length is an enormous, bleak piece of post-metal, but calling it post-metal only gets you part of the way there. Black metal cuts through its … Read more