Linkin Park, by and large, are looked upon as a joke. With few exceptions, they are loved solely by young fans who really dont know any better and are unable to find any other kind of heavy music at their local Wal-Mart in Smalltown, U.S.A.
What does Linkin Park have to do with Norway's Manes, you ask? Well, they kind of sound like em, which is truly, truly most unfortunate. As an impartial third party who paid nothing for this promo copy of their latest effort, How the World Came to an End, I find it extremely difficult to not hold it against them because to do so just wouldnt be fair. Because lets face it, who the hell in their right mind would intentionally try to sound like Linkin Park? After all, they have about as much credibility in the music business as The Monkees.* Besides, Manes are from Sweden - they may not have even heard of Linkin Park, or, in a non-ironic backwards-European way consider them, hip or höft in the parlance.
This is all due to the heavy use of electronics in the Manes sound. They use it to poor effect in the albums first couple of tracks, pseudo-metal-poppy-ish tunes that bring to mind the aforementioned band that hereto forward shall not appear in this review again.
Those who stick with it from track three onwards will be pleasantly surprised as an album of ambient depth is slowly revealed. How the World Came to an End has a few gems that will make you ashamed for the comparisons you made earlier and brings forth new comparisons that are sure to have you glad you made the purchase. Exhibit A being track three, I Watch You Fall - immediately reminding one of The Young Gods without sounding contrived and sets the tone for what almost feels like a concept album from then on, with fantastically smooth segues from song to song, reaching a crescendo in Transmigrant and following it up with Son of Night, Brother of Sleep, a beautiful postscript to bring it all to a close. Nobody Wants the Truth - a flawlessly executed mini- epic (at less than five minutes) that bring to mind the best of Isis and My Journal of the Plague Years (Fuckmensch Warmensch) with guitar work almost reminiscent of early Mayhem - all with an non-intrusive ambient overlay that you can put on tomorrow night while you do that essay or read that book. Feel free to light a candle. Go on. It doesnt make you goth if you do.
So, despite all these singled-out tracks, How the World Came to an End is most assuredly something that needs to be listened to as a whole. Even with the first two throwaway numbers thatll make you dismiss the whole thing, Manes have given us an album that as a whole, makes it all very difficult to ignore.
*The Monkees were a prefabricated band brought together by outside parties to star and perform on their own TV show in the 60s. For a more contemporary reference, see: The Spice Girls or Backstreet Boys. No? Okay, for an even more contemporary reference, see The Pussycat Dolls or Cradle of Filth.
7.6 / 10
While music groups have tried to emulate the sounds of the past in various ways, this is perhaps nowhere more evident than in the world of psychedelic music. Though one ...
Runaround is the third release I’ve heard from Rivers Edge, and besides feeling like a nice metaphoric album title for the band’s style – accessible DIY pop punk with a lot ...
Posted Dec. 1, 2013, 11:47 a.m.
Lethe, a Swiss-Norwegian duo of Tor-Helge Skei (Manes) and Anna Murphy (Eluveitie), have released a free downloadable EP in preparation for their upcoming debut full-length, When Dreams Become Nightmares on ...
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.